Word: eastwood
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...like a role in this. These are the characters that, if you caught the movie 10 years earlier in their life, they're the bad guy. Like Paul Newman in The Verdict - I'm certainly not comparing my acting, just talking about those kinds of characters - or Clint Eastwood in Unforgiven. Those characters did a lot of terrible things and now they're searching for some sort of redemption. The redemption is usually not very big. It's not like, 'oh, I'm really a great guy .' For me [in Michael Clayton], we decided I just wanted...
...Neatest trick of the awards season: The HFPA found a way to nominate Clint Eastwood twice in a year when he didn't make a movie. He wrote the score for Grace Is Gone, and the music for the title song, and got nominated for both. Way to fluff up the guest list, guys...
...Bennelong hub of Eastwood mall, constituents say they are enthralled by the ever-smiling McKew. "She's like a beauty queen," says Paul Besson, 57, who admits his dislike of Howard is so strong that "I would vote for Maxine even if she had a forked tail." An art promoter who asks to be identified only as Peter says he's voted for Howard in the past but not at the last election of 2004, and he won't be this time. While most politicians are loose with the truth, Peter says, Howard's dishonesty extends to matters...
...movie-star chump by directing and co-writing a crackling little detective film about child abduction, Gone Baby Gone. In poker, this is known as going all in. First, the movie is an adaptation of a novel by Dennis Lehane, who also wrote Mystic River, which Clint Eastwood put on film to much critical acclaim. Comparisons are inevitable. Second, the movie features imperiled children, spectacularly vulgar language and the urban poor of Boston, none of which scream must-see. Third, he cast his younger brother Casey as the lead, a private detective hired to find the missing child. Unless...
...Last night, a few hours after learning of George's death, I flipped idly through TV channels. And there was George, in his final movie role, as Ryan Philippe's character 60 years later in Clint Eastwood's Flags of Our Fathers. Gasping for air, a tube up his nose, a good man making needless apologies to a loving son, George was doing what many an actor finds himself doing: rehearsing his own death. It was just pretend - his usual consummate acting job. Dying on film, he lived again...