Word: eastwoods
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...That theme, however, is at first artfully disguised in the film, which was written and directed by Paul Haggis, prime author of Crash as well as the writer or co-writer of such excellent Clint Eastwood screenplays as Million Dollar Baby and Letters from Iwo Jima. Haggis is a man with a gritty, honest sensibility, particularly attuned to life as it's lived in our country at the lower edges of society. But he's also a pretty canny movie guy, initially presenting his material as a fairly conventional mystery, with the icily contained and taciturn Hank...
...seen one or two comparisons of 3:10 to Yuma with Unforgiven. These are not entirely apt. Mangold's offering lacks the blackness and absurdity of Clint Eastwood's great film. It is more in the vein of Anthony Mann's westerns of the 1950s - trim, efficiently paced, full of briskly stated conflicts that edge up to the dark side, but never fully embrace it. That's quite all right. 3:10 to Yuma reminds us that well-made westerns - precisely because they are such a ritualized and conventionalized form - have an ability to isolate moral conflicts in spare, essentially...
...July 10), has no sitars or harps, no qawwali singing or convoluted metanarratives. It's just 36 minutes of taut, minimalist rock played mostly on guitar and piano and sung by Britt Daniel, a reedy Texan with a dry, been-around-a-bit voice. It's exotic like Clint Eastwood--and just about as direct...
...death toll mounts, and Nick reluctantly takes on Danny as a junior partner in crime-solving (the snooty detectives call them "Crockett and Tubby"), and Hot Fuzz finally gets as agitated as the movies it's making loving fun of. By the end, Nick has morphed into a double Eastwood: the cop-Clint of Dirty Harry and the Western-Clint (in a three-way shootout) of The Good, the Bad and the Ugly...
...important for you to set a good example in that regard - lest future directors and producers throw your spendthrift ways in your face evermore? No. That would be rude. Everyone has his or her own style of working. Clint Eastwood is one of my role models in that regard and I don't think he does it for any reason other than impatience and the belief that after five or six takes of a scene it gets stale. In my experience, actors do their best work earlier in the process than in the 30th or 40th take. It just came...