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...circumstances -- temperature in three digits, air conditioner broken, the tube showing tractor-pull-contest reruns, the dog under the bed with an attack of chiggers, marriage teetering, car defunct with black-lung disease and only one movie within walking distance -- Pink Cadillac is a tolerable summer-weight flick. Clint Eastwood and Bernadette Peters have a somewhat better time than the viewer, but they probably do in real life...

Author: /time Magazine | Title: Cinema: Dippy Harry | 6/5/1989 | See Source »

...moviegoer's fond suspension of disbelief. In its most elaborate attraction, The Great Movie Ride, spectators enter a reproduction of Hollywood's secular cathedral, the Chinese theater, where the Casablanca piano and Dorothy's ruby slippers repose under glass. Computerized mannequins portray such stars as James Cagney, Clint Eastwood and Harrison Ford. An Alien monster lurches and drools. For all its bustle, the ride refuses to enthrall. Even a beguiling stop in Munchkinland reminds the passengers that, however the technology of Disney rides has improved, the scope has not changed since the '60s. It's a Small World after...

Author: /time Magazine | Title: Travel: You're Under Arrest! | 5/8/1989 | See Source »

MILT JACKSON: BEBOP (East-West). The Modern Jazz Quartet's eminent vibes man dives deep into the bop era, working fresh wonders on eight vintage tunes, mostly by Dizzy Gillespie and Charlie Parker. If Bird lives in Clint Eastwood's recent film biography, he gets a neat new lease on life here...

Author: /time Magazine | Title: Critics' Choice: Feb. 13, 1989 | 2/13/1989 | See Source »

MILT JACKSON: BEBOP (East-West). The Modern Jazz Quartet's eminent vibes man dives deep into the bop era, working fresh wonders on eight vintage tunes, mostly by Dizzy Gillespie and Charlie Parker. If Bird lives in Clint Eastwood's recent film biography, he gets a neat new lease on life here...

Author: /time Magazine | Title: Critics' Choice: Feb. 6, 1989 | 2/6/1989 | See Source »

That is not so far from screenwriter Gerolmo's original conception, more than four years ago, of Mississippi Burning: a political parable with western overtones, perhaps to star William Hurt and Clint Eastwood. "Hurt would represent the idealistic approach, and Eastwood the violent response," says Gerolmo, 35. "The film would be similar to John Ford's 1962 western, The Man Who Shot Liberty Valance. It's a movie that asks some serious questions about using violence in the name of the law." Initially then, Gerolmo might have meant the FBI's terrorist tactics to be seen critically, or at least...

Author: /time Magazine | Title: Show Business: Fire This Time | 1/9/1989 | See Source »

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