Word: eatonized
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...Blessings of love from the Love Fairy!” Eaton cried, as a campaigner for Howard Dean handed out pamphlets nearby...
...couples exited City Hall, they were showered with glitter and multicolored feathers by Su Eaton, a Somerville resident who dressed in pink-and-black stockings and a tutu, and carried a wand...
Indeed, the only serious miscalculation is the awkward, discordant and ungainly love music for Ferdinand and Miranda. Its grating quality is exacerbated by the strangulated tenor of Colenton Freeman, although Soprano Sally Wolf manages to negotiate Eaton's leaps with taste and dignity. A nod in the direction of convention here would not only provide some needed aural respite but characterize the lovers more effectively...
...Eaton's meticulous planning extends even to the opera's rhythmic structure, with each character assigned his or her own basic tempo. Act II, for example, closes with a stirring, cacophonous ensemble of clashing rhythms and timbres as all the major characters sing simultaneously and Prospero exults, "My high charms work!/ and these, mine enemies, are all knit up/ in their distractions. They are in my power." What Eaton has done is not merely to set Porter's concise, three-act libretto, but to retell it in musical terms, creating a cognate of Shakespeare's play. It is a formidable...
...Santa Fe company gives The Tempest a vivid production. The cast is generally excellent, as are the sets and lighting, and Bliss Hebert's direction is tight and focused. Conductor Richard Bradshaw tackles the score with panache, bringing Eaton's music ringing to life...