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Word: echo (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...even ran into a bit of controversy earlier this year for a cartoon that ran in the Crimson’s Oct. 16 issue. The drawing showed an overweight girl chowing down on a ‘Bucket O’ Chicken’ while answering the phone for ECHO, a Harvard eating concerns group...

Author: By James Sigel, CONTRIBUTING WRITER | Title: Harvard’s Fullback Gets The Picture | 11/22/2002 | See Source »

...realized I hurt some people’s feelings,” Blackburn says. “But the point of the cartoon wasn’t to slash ECHO. I just thought that there were some problems with the aggressiveness of their campaign. I think most of my friends still like...

Author: By James Sigel, CONTRIBUTING WRITER | Title: Harvard’s Fullback Gets The Picture | 11/22/2002 | See Source »

...because they seem gripped by an ever deepening sense of fatalism. This week, UN weapons inspectors, led by Swedish diplomat Hans Blix, are back in Baghdad after a four-year absence. But Iraqis see their arrival as delaying war rather than preventing it. Even Saddam himself seems to echo the anxiety. The letter from Saddam's government accepting Security Council Resolution 1441 is full of defiant rants about injustice, but its key passage cites the normally defiant Saddam's "sacred duty" to spare Iraqis from disaster...

Author: /time Magazine | Title: Live From Baghdad: Cruising Saddam's Streets | 11/19/2002 | See Source »

...Kottke lost much of the hearing in his left ear as a result of a mishap with a firecracker. During a later time in the Naval Reserve, his right ear suffered permanent damage during firing practice. But, despite whatever keenness he lacks physically, the tone he produces with his echo-in-a-hollow-barrel of a voice and warm 12-string and six-string guitar playing soothes and sounds past any apparent need for rehabilitation...

Author: By Brendan J. Reed, CRIMSON STAFF WRITER | Title: Attack of the Clones | 11/14/2002 | See Source »

...good,” he says. He’s right on one count; the album is saturated with melody—but not powerful, ethereal, or even trippy melodies, as in earlier trance before the whole genre went to corporate hell. Rather, these are the sort of cumbersome, echo-laden melodies that typify modern film scores. In fact, the whooshing sound effects, smiley-face synths and ham-fisted guitars generate a condescending muck so leaden that they even render the album’s joyless and deflated grooves a pleasant distraction—no small achievement...

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: up from underground | 11/7/2002 | See Source »

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