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...vicinity of the moon, the return flight of Apollo 10 last week could not have been smoother. On the day before splashdown, the astronauts chalked up a space first. Stafford explained to ground controllers that the crew was about to conduct "scientific experiment Sugar Hotel Alpha Victor Echo"-or SHAVE. NASA had spent $5,000 trying unsuccessfully to perfect a small electric razor with a vacuum attachment that would suck up bristles -which otherwise might float freely and clog up instruments in the weightless environment of the spacecraft. The Apollo 10 astronauts had a simpler solution. They broke...

Author: /time Magazine | Title: Science: An Uncluttered Path to the Moon | 6/6/1969 | See Source »

...critic foolish enough to exclaim "Aha!" over gross parallels between Nabokov's experience and his literary creations is viewed by the author with scorn. Yet the soft, pervasive breath of Paradise Lost that whispers through Ada is more than an echo of Everyman's lost ardor. It is a transmogrified version of Nabokov's own lost private Eden in the Russia of his childhood. With his wealthy and gifted family, he lived in a town house in prerevolutionary St. Petersburg, and at Vyra, an idyllic, rambling country estate. For Nabokov, his two brothers and two sisters and their parents, life...

Author: /time Magazine | Title: Books: Prospero's Progress | 5/23/1969 | See Source »

...influence is never one-sided; no character is able to exercise total control over another. Instead, each scene is built on this multiple influence and resemblance, and all characters' appearances change according to their partners. They thus become less themselves--and, in a way, more abstract beings, whose forms echo those of other people. The firm identity that would result from one-way power over all else is softened by a complex view of identity which depends upon all people's being soical...

Author: By Mike Prokosch, | Title: Summer Storm | 4/24/1969 | See Source »

...character's setting extends to objects and backgrounds, which are very prominent in Sirk's films. Objects define people's character and actions (for example, a Cupid statue Count Volski admires in his gazebo betrays the childishness of his lecherous tendencies). They also cramp people in space; echo people's forms (often to savegely ironic effect--the statue in Volski's garden next to which Fyodor stands looking up at Olga); and in these ways subtly influence and define people's appearances and actions. Here, however, the influence is one-way. People cannot change objects as they can change other...

Author: By Mike Prokosch, | Title: Summer Storm | 4/24/1969 | See Source »

...Playboy magazine provide a theoretical basis for what acid trippers believe about telepathy: "Tribal man is tightly sealed in an integral collective awareness that transcends conventional boundaries of time and space. As such, the new society will be one mythic integration, a resonating world akin to the old tribal echo chamber where magic will live again: a world of ESP . . . Electricity makes possible--and not in the distant future, either--an amplification of human consciousness on a world scale, wihtout any verbalization...

Author: By Jay Cantor and John G. Short, S | Title: ..More of the Acid Trippers | 4/23/1969 | See Source »

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