Word: echoeing
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Viewed from the gallery, the U.S. Senate falls woefully short of its own billing as the greatest deliberative body on earth. Vital issues are very often resolved casually after pawky debates; speakers drone on in an echo chamber of vacant desks. Delay and confusion abound. Last week Senators tugged valiantly at their togas and amended the rule book in the name of statesmanly decorum...
...massive limestone figures, which he Las been working on since 1965, emphasize his profound disillusionment with the state of the world. "If you look at the first page of the newspaper," says Ernst, "you feel such overwhelming disgust for everything going on in the world that you must echo this." In his gigantic stone monoliths, Ernst's angst becomes monumental. The figures are droll and disquieting, monstrous and enchanting. His mammoth Big Brother, wearing a visored cap, or his two Seraphim totems, sticking out their tongues, provoke laughter-and a shiver...
Future-Fan. That maiden attempt, though not terribly encouraging, was an echo from three decades ago, when Day-Lewis and the rest of the famous Oxford circle (W. H. Auden, Louis MacNeice, Stephen Spender) rumbled with even louder social comment. Like other "horizon-addicts and future-fans" of his time, Day-Lewis, in rebellion against his strict curate father, flirted briefly with Communism; he now recalls his stint as a party educator as "a signal instance of the blind leading the shortsighted." Protest verse did not sell, however, until a chance compliment from T. E. Lawrence was printed...
...very concerned with continuity and somehow he manages to hold the diverse elements of the show together. He talks into and out of each song, plays music during the interviews, and is constantly toying with electronic gadgets: reverberation devices and echo chambers. The result is that, like the Beatles' Sgt. Pepper's Album, T is able to blend distinctly different moods into a single, unified performance...
...busy corruption of the usurper's court and the relative ease of the forest life provides a curious, imperfect echo of the poles of Shakespeare's own life: the plaguey, seething mart of London and Stratford's Arden Forest. As You Like It may be, in fact, one of the most personal of Shakespeare's plays. An attempt at a definitive production is obliged to meet these issues, to join these diverse elements, and the result may be a definitive failure...