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...lyrics by Bob Merrill) sets to music the traditional Continental world of the small, bedizened, sad-eyed circus troupe-a world not of popcorn but of pony ballets, with a touch of childlike innocence redeeming its tawdriness. Carnival! is, in fact, out of the movie Lili, with a faint echo or two of Liliom; it celebrates a milieu whose romantic lure is born of its realistic hardships, a milieu almost symbolically touching for its way of suggesting the loneliness in crowds, the heartbreak in gaiety, and the homelessness of perky circus wagons...

Author: /time Magazine | Title: Theater: New Musical on Broadway | 4/21/1961 | See Source »

...anticipated the Steinway piano." Certainly the public still seems to appreciate the human touch. The biggest personal hit at Venice was U.S. Composer William Smith, a member of the original Dave Brubeck Octet. While his eight-minute electronic Improvisation, replete with amplified clarinet key clicks, breath noises, and echo chamber effects, boomed over the loudspeakers, Clarinetist Smith stood by improvising. For the only time in the entire congress, the audience was moved to applause...

Author: /time Magazine | Title: Music: B-z-z! Br-a-ang! Br-a-ack! | 4/21/1961 | See Source »

Down in the islands, the sound of crashing surf was temporarily drowned out by the echo of charge and countercharge. Aroused pro-and anti-Paiewonsky factions fired hundreds of messages to Washington, about 9 to 1 in Paiewonsky's favor. Said Novelist Herman (The Caine Mutiny) Wouk, who lives on St. Thomas: "Paiewonsky is the best man." In Charlotte Amalie, the Seventh-day Adventist Church said prayers for Paiewonsky...

Author: /time Magazine | Title: Virgin Islands: A Rum Go | 3/31/1961 | See Source »

...hear the uncomfortable echo of "Not everyone who says, 'Lord, Lord,' shall enter the kingdom of heaven; but he who does the will of My Father...

Author: /time Magazine | Title: Letters: Mar. 24, 1961 | 3/24/1961 | See Source »

...desertion of Liu and Timur and Turandot's vicious behavior towards her subjects and suitors alike was not condoned by Puccini. During the final duet (the part he never completed), the composer intended Calaf and Turandot "to descend through love to the level of mankind." They would at times echo Liu's touchingly simple music. Her sacrifice would not have been in vain. But, at the same time, through the sheer excitement of this last duet, the audience would not regret this sacrifice, but instead would realize that the grand love of Calaf and Turandot required Liu's death...

Author: By Ian Strasfogel, | Title: "Turandot": Puccini's Best | 3/24/1961 | See Source »

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