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George's wife has been dead a year when the play opens, and George (Jerry Orbach) still grieves, stolidly refusing efforts of his brother Leo (Herbert Edelman) to fix him up. While researching material for a new book, George accidentally phones one of Leo's prospects, an actress named Jennie (Marilyn Redfield), whose recent divorce leaves her, like George, resigned to the second chapter of her life, and being urged to date, by a friend, Faye (Jane A. Johnston). Intrigued by their mutual reluctance to get involved, Jennie and George meet, discover their minds--work in the same rhythm...

Author: By Troy Segal, | Title: Not So Simple Simon | 3/1/1979 | See Source »

Court procedural battles are only a part of the broader questions of basic fairness to children and their futures. Says Marian Wright Edelman, head of the Children's Defense Fund, a foundation-supported advocacy group: "If no resources are provided to assist children, the new rights do them no good." She argues that "the juvenile justice system has become an uncaring machine. It desperately needs more money, more people and more thought so that the long-term needs of young people can be paramount again." Experiments like the San Francisco clinic are effective challenges to indifference,.she concludes...

Author: /time Magazine | Title: The Law: New Clinics for Kids in Trouble | 4/18/1977 | See Source »

Richard W. Edelman '76, another student in the class, said yesterday, "It's so stupid. Two people cheated...

Author: By Joseph H. Yeager, | Title: B-School Alleges Plagiarism | 3/8/1977 | See Source »

...more than 75 seniors who worked on the fundraising drive, Richard W. Edelman '76, said yesterday that "there was no shakedown. Just an effort by all the fundraisers to get their friends interested...

Author: By Thomas W. Janes, | Title: Class of '76 Joint Fund Drive Nets All-Time High of $19,000 | 10/4/1976 | See Source »

Aside from the playing of "My Country 'Tis of Thee" between acts, Edelman has directed The Devil's Disciple without undue bicentennial self-consciousness. His cast goes through its paces against a background of colonial oranges and browns that dominate Donald Soule's carefully-crafted sets, and the play's focus properly remains on individual, rather than national, transformation...

Author: By Julia M. Klein, | Title: Sympathy for the Devil | 7/9/1976 | See Source »

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