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Word: edelstein (lookup in dictionary) (lookup stats)
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...aftereffects of the blackout last week, Atlanta was celebrating. The Atlanta Apparel Mart is the first stop after New York on the August fashion tour for many women's wear manufacturers, and customers were placing orders in Atlanta that they could not make in New York. Said Bob Edelstein, regional sales director for Crazy Horse, a sportswear maker: "Many buyers I would normally see in New York, I'm seeing in Atlanta...

Author: /time Magazine | Title: Rough Times in the Rag Trade | 8/29/1983 | See Source »

...frustrated Moon, David Edelstein is the undeniable star of the show. An accomplished critic himself, Edelstein infuses his running analysis of the drivel that is going on on stage with polished pomposity. Without losing control or missing a beat, he spews lines like this...

Author: By Sarah Paul, | Title: Whodunit With a Twist | 11/11/1982 | See Source »

...their roles, although only Lewis Goldman as the vulgar Birdboot and Fatima Mahdi as the terrifically sinister Mrs. Drudge ("The fog is very treacherous around here--it rolls off the sea without warning, shrouding the cliffs in a deadly mantle of blind man's bluff...") manage to match Edelstein's spirit...

Author: By Sarah Paul, | Title: Whodunit With a Twist | 11/11/1982 | See Source »

...recent review of the three plays at the American Premiere Stage, David B. Edelstein characterized "John Simon and his less literate disciples" as the "cigar-in-the-elevator" school of criticism. Since this tobaccical trope was coined by none other than yours truly in a piece I wrote for the Boston Phoenix earlier this year, I can only conclude that Mr. Edelstein sees me as another of these "less literate disciples" of Mr. Simon's. I would readily admit to being less literate than Mr. Simon; as to being a follower of his, I would respectfully demur. But does...

Author: NO WRITER ATTRIBUTED | Title: Happier Times | 12/7/1981 | See Source »

...confines of the Loeb's versatile Experimental Theater, the ART's presence has provoked a true renaissance there. The spring season boasted mostly first-rate productions, and two in particular that rivalled the best I've seen, on the Mainstage or off--Bill Rauch's The Visit and David Edelstein's The Father...

Author: By Scott A. Rosenberg, | Title: ART in Retrospect: Textual Ethics | 6/3/1981 | See Source »

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