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Word: edelstein (lookup in dictionary) (lookup stats)
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...long peddled everything from magazine subscriptions to their own blood. Now, two students at the Wayne State University School of Medicine in Detroit are suggesting that prospective doctors sell a more valuable commodity-a piece of their future. Aware that many small towns need doctors, particularly general practitioners, Sol Edelstein, 24, and Douglas Jackson, 26, are offering in effect to indenture themselves to any community that is willing to pay the cost of their medical education...

Author: /time Magazine | Title: Medicine: Futures for Sale | 4/26/1971 | See Source »

...personal life has changed for the better as well. There were some bad times: she dropped out of college, worked at odd jobs and went through a painful break with her parents. But last December she married Director Rick Edelstein in New York. "We didn't fight for almost five days afterward," she reports proudly. Her constantly diminishing free time-she is now at work on Autumn Child, a psychological thriller-is spent cultivating her garden, working on a record album, playing volleyball, relishing her three stepchildren and her status as a newlywed. She talks incessantly-in short, clipped...

Author: /time Magazine | Title: Show Business: The Barge Is Sailing Along | 3/8/1971 | See Source »

Married. Sally Kellerman, 32, screen actress who galvanized audiences as Nurse Hot Lips Houlihan in M*A*S*H; and Film Director Rick Edelstein, 41 (The Dirty Movie); she for the first time, he for the second; in Manhattan...

Author: /time Magazine | Title: Milestones, Jan. 4, 1971 | 1/4/1971 | See Source »

...Student Film Studies--"Sally's Hounds" by Robert Edelstein and "Bathroom" by Fred Camper, Carpenter Center Lecture Hall. Admission...

Author: NO WRITER ATTRIBUTED | Title: The Calendar for the Summer | 6/30/1969 | See Source »

...development into a single drama. It's the perfect way to put Hawthorne's romance into film. This type of romance, designed to describe personal development through emotional (above all, love) experience, requires its characters' sentiments to seem real and strong so that their actions will feel sufficiently motivated. Edelstein establishes the objectivity, indeed the rule, of his characters' emotional experience. Their actions are completely determined by their emotions, and since these emotions form the world of his film, the entire drama proceeds with a chilling inevitability. The actors' motions and positions of objects--everything in the film moves...

Author: By Mike Prokosch, | Title: Rappaccini | 3/22/1969 | See Source »

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