Word: edens
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Dates: during 1970-1979
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Cosmic Pater. By Act III, Adam and Eve have been expelled from the Garden of Eden and Miller gets to the point that he presumably wants to make. It concerns the slaying of Abel by Cain, seen as the harbinger of man's unbroken fratricide through all succeeding ages. In Miller's version, Lucifer incites Cain in the hope of establishing dominion over men on earth, comparable to God's rule in heaven. Thus man is in perpetual thrall to a power struggle between God and the Angel of Darkness, or to the conflicting forces of good...
Eliot House claimed the soccer championship by downing Yale's Pretson College 2-0 James Huck scored first for Eliot taking advantages choose ball in front of the net. Ben Eden added a second score later on a direct kick...
...self-awareness: the perpetual burden of guilt and responsibility without which there can be no lasting morality. By contrast, May treats such facile Utopians as Charles Reich to sympathetic though sharp criticism. After calling Reich's book, The Greening of America, "an impressionistic painting of the Garden of Eden...for children and not for adults," May downgrades Consciousness III. It is he says "no consciousness at all, for it lacks dialectic movement between 'yes' and 'no,' good and evil, which gives birth to consciousness of any sort...
...stage is the only Eden that Coward knows about or cares about, and for half a century he has communicated his blissful delight with it. And that's what this new revue-styled evening of songs and patter off Broadway is-a blissful delight. There is the familiar and engaging Coward of Mad Dogs and Englishmen, I'll See You Again, Someday I'll Find You and I'll Follow My Secret Heart. These songs seem always to have existed, yet their sentiments are fresh as first love. The show also contains less familiar Coward, like...
...avoid the tedium of subtitles and the artificiality of dubbing. Ophuls uses a translator's technique. The speaker begins then is faded down, and his English "voice" translated with full inflection and character. Newsreels are sub-titled; so are the Englishmen. Anthony Eden is interviewed in both French and English. The subtitles help as a change in tempo, and besides, dubbing Lord Avon would be less charming than listening to his English-accented French...