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Manager Edward Johnson could claim with justice that his last opening night before Edinburgh's Rudolf Bing takes over next season (TIME, June 13) was "one of the best." But by the time the first week was over it was evident that the old Met had not noticeably changed its ways: it still had probably the world's best singing, some of the world's most outdated staging and acting...

Author: /time Magazine | Title: Music: Fragrant Cheddar | 12/5/1949 | See Source »

Last year, after conducting at Scotland's Edinburgh festival, Rafael Kubelik sent word to Prague (where members of his family still live) that he was not returning to open the 1948-49 season; he would play Czech music, but play it elsewhere. Since then, he and his wife and three-year-old son Martin have made their headquarters in London...

Author: /time Magazine | Title: Music: At Home Abroad | 11/28/1949 | See Source »

...help while away off-duty hours with the Royal Navy's Mediterranean Fleet, the Duke of Edinburgh got a present from home: his yacht, the Cowslip, which arrived in Malta by aircraft carrier...

Author: /time Magazine | Title: People: People, Nov. 14, 1949 | 11/14/1949 | See Source »

...from Berlin to play this negligible bit of Italian music in the capital of Scotland, and an English conductor all the way from Manchester to conduct it, and apparently it becomes, by some magical transformation . . . a 'festival' work and we trudge all the way to Edinburgh to hear it." In short, wrote he, "the only justification possible for the rather too marked lowering of the festival standard . . . this year is that some of the performances have been far better than the music...

Author: /time Magazine | Title: Music: What's a Festival For? | 9/19/1949 | See Source »

Important Point. Lean, tired-eyed Festival Manager Rudolf Bing could hardly deny the charges. But neither did he see any reason to plead guilty. Said he with a sigh: "You don't come to Edinburgh to hear Brahms's Second Symphony. If you're the type who goes to a festival, you've heard it. But you do come to hear the Royal Philharmonic under Beecham, or the Berlin, or the Vienna Philharmonic, or the Concertgebouw. It seems to me that what is played here is less important than who plays it. Whatever he thinks...

Author: /time Magazine | Title: Music: What's a Festival For? | 9/19/1949 | See Source »

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