Word: editable
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...interested in Slate because I wanted to edit a magazine again and, like everyone else, I discovered the Internet," Kinsley says, who continues to freelance and serve as a contributing editor for Time. "[All] journalists dream of having their own publication, and the idea of creating a publication in a new medium was doubly exciting...
...than they can responsibly deliver. The latter must act as the voice of caution, tamping down enthusiasms and reining in excesses. At the Mercury News, Webb played his assigned part with gusto, but it's not so clear that the editors adequately performed theirs. Though Ceppos did not directly edit the story, he has taken responsibility...
...Fair, where she became managing editor. One of her first contributions to the magazine was a flip little profile of Time?s co-founder Henry R. Luce. They married in 1935. His magazines prospered, including Life, which she virtually invented, but, to her bitter disappointment, was not allowed to edit. And despite mixed reviews, her plays were popular successes. But as ?Rage for Fame? ends, with Clare?s election to Congress in 1942, the Luces are visibly at odds -- and clearly not for the last time. Morris struggles for fairness but portrays Luce as a calculating, self-indulgent user whose...
...like some French neoclassical painting than like English portraiture of the time. His clients liked Copley in part because everything in his work, from a nailhead in a chair to the exact gleam on red mahogany, was earnestly weighed and measured. In his candor and curiosity, he refused to edit out the warts and wens, the pinched New England lips or even (as several portraits show) the pockmarks that were a common disfigurement in an age before vaccination. Eighteenth century America did not have today's obsession with the cosmetic...
...modern art. After receiving her Ph.D. in Fine Arts from Harvard in 1969, Krauss was one of the firs art historians to use semiotics and post-structuralist semiotics into writing on 20th century art. She is currently the Professor of Art History at Columbia University, and she continues to edit October, a journal of contemporary visual practice and theory, which the cofounded in 1976. This spring, before delivering the keynote address at the Graduate School of Arts and Sciences Alumni Day, Krauss spoke with a Crimson reporter about the problems with programs like Cultural studies and her new work...