Word: edited
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Dates: during 1970-1979
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...campaign speech directly to Pat O'Brien's famous "win one for the Gipper" speech in the Notre Dame locker room, simply fall flat. Antonio has all the material to finish off Nixon, but he is unable to put it together. See the film if you're prepared to edit it in your head, or if you have a sudden urge to see the Checkers speech. At the Video Theatre. What's Up Tiger Lily? Woody Allen's first movie. He takes a B-rated Japanese Bond imitation and dubs it with a sorely dated funniness. Central Cinema...
...campaign speech directly to Pat O'Brien's famous "win one for the Gipper" speech in the Notre Dame locker room, simply fall flat. Antonio has all the material to finish off Nixon, but he is unable to put it together. See the film if you're prepared to edit it in your head, or if you have a sudden urge to see the Checkers speech. At the Video Theatre...
...campaign speech directly to Pat O'Brien's famous "win one for the Gipper" speech in the Notre Dame locker room, simply fall flat. Antonio has all the material to finish off Nixon, but he is unable to put it together. See the film if you're prepared to edit it in your head, or if you have a sudden urge to see the Checkers speech. At the Video Theatre. The Graduate. Mike Nichols directs with Dustin Hoffman. Hopefully this movie will hit you differently your nth time around. Because there is something rotten about it. Purportedly, it describes...
Also making a major appearance, as he did in a famous feud with Vladimir Nabokov, is Wilson the noble crank. Here he makes a dyspeptic but delightful attack on the cumbersome, pedantic paraphernalia assembled by the Modern Language Association (the college literature teachers' "union") to edit and publish classic American authors. The blame, says Wilson, goes back to "our oppressive Ph.D. system of which we would have been well rid if, at the time of the First World War, when we were renaming our hamburgers Salisbury Steak and our sauerkraut Liberty Cabbage, we had decided to scrap...
Green was a blunt, unpretentious man. Sime Silverman, who founded the paper in 1905, hired Green in 1918; in 1933 Green began to edit the paper, was given a battered desk close to the window of Variety's office just off Manhattan's Times Square and never changed it. He was rarely without the bow tie and sleeve garters he affected to look like Sime. He seemed to know every entertainer, the famous and freakish alike. A walk down the street invariably involved dozens of exchanged greetings and many an impromptu conference. He found time to coauthor, with...