Word: edithe
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...from the Bridge. "The play has a theme of incestuous love," ex plained Miller ruefully. "That got by all right, but the censor objected to a scene" in which two men embrace one another." ¶ Wife Marilyn was getting mixed no tices. From her old (69) acquaintance, Poetess Dame Edith Sitwell, with whom La Monroe sipped gin and grapefruit juice, came a highbrow huzza: "She's quite remarkable!" But from the London News Chronicle's Fashionewshen Jean Soward came a Soho snarl. Ticking off Marilyn as a "fat frump," Jean com mented: "The most prominent thing about...
There, in the heart of the Kikuyu country, is the African Inland Mission, nucleus of a vast parish supervised by U.S.-born Baptist Devitt. For 25 years 51-year-old William Devitt and his wife Edith have labored among the Kikuyu, traveling 25,000 miles each year through the Rift Valley to direct the mission's 80 schools for Kikuyu children. The natives affectionately call him "Bwana Jambo" (Mister Hello) because of his friendly greetings. When the Mau Mau revolt began in 1952, Devitt organized Kikuyu of his area to protect themselves. For his pains...
...vague longings to find a meaning in it took stronger direction. She had already enrolled in an extension course in literature at U.C.L.A. and had started a collection of classical records. Now she plowed deeper into her problem through psychoanalysis, got in touch with lettered people, e.g., Poetess Edith Sitwell, whenever she had the chance, began to read more serious books...
Best of the newcomers is Britain's Chris topher Logue, who brings to the naked charms of his ladylove the sensual splendors of The Song of Solomon. For other issues, Tambi hopes to secure poems from Dame Edith Sitwell and T. S. Eliot...
...other actors tend to pall a little beside Loeb, but nearly all of them redeem themselves in the truly funny final scene. Here Edith Iselin, as Portia, and Paul Schmidt, as Bassanio, lose their initial remoteness and become recognizable as lovers. Jean Loud, in the part of Nerissa, is charming throughout, gaining stature as the play progresses. As Launcelot Gobbo, a clown, Michael Pollatsek injects some humor into the early scenes by cleverly contrived pomposity and overacting. Ernest Eugene Pell, on the other hand, gives a somewhat too unobtrusive, if competent, performance as Antonio, the Merchant. Yet the only serious...