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When director Edith Bishop '00 and a cast of eight actors put up an unforgettable performance of Talking With last weekend at the Ex though, the script took on the trappings of high drama. Bishop and the actors pieced together an astonishing narrative, wrought with brilliant theatrical effects and still preserved the elusive spirit of the 11 characters out of whom the narrative and effects seemed effortlessly to grow. The 11 women still lay at the center of Talking With and a discussion of the play without a description of their characters and the inspired actresses who played them...

Author: By Jamie L. Jones, CRIMSON STAFF WRITER | Title: All Talk: Eleven Women to Know | 12/11/1998 | See Source »

...have not been captains of industry until recently (and there are precious few in that position now). But that should be no surprise to anyone. For the first 20 years of the century, women couldn't even vote. Every time I think of that, it startles me. Even as Edith Wharton wrote many of her novels, as Helen Keller graduated from Radcliffe with honors, even as women--tens of thousands of them--typed the documents and ran the offices and manufactured the arms that led to victory in World War I, we still could not vote...

Author: /time Magazine | Title: Cracking The Ceiling | 12/7/1998 | See Source »

...Edith Wharton's well known novella, Ethan Frome--a tale of love, forbidden passion and its tragic consequences--lends itself particularly well to a genre whose main intention is to represent and express human feelings on a grander scale. And that genre is none other than opera. Opera vows to unite music and poetry so as to engage the audience in feeling as much empathy, compassion and even terror as possible...

Author: By Marcelline Block, CRIMSON STAFF WRITER | Title: ETHAN FROME: N EVENING OF OPERA AT ELIOT HOUSE | 11/20/1998 | See Source »

...contrast to traditionally "suitable" subjects for opera, like classical mythology, pastoral romance and gothic drama, Ethan Frome cuts a different figure. Edith Wharton's book contains very little dialogue, and when the characters speak, they talk about timber and tobacco pouches, not their passionate and undying love...

Author: By Carla A. Blackmar, CRIMSON STAFF WRITER | Title: ETHAN FROME | 11/13/1998 | See Source »

According to John Allanbrook, "Edith Wharton communicated verbally that the story might have been better without flashbacks" so there is "a precedent to tell the story in a different way." "People are turned off by Ethan Frome simply by the way it's narrated. Wharton had the story down, then mechanically applied this 19th century device which distances the reader from the characters...

Author: By Carla A. Blackmar, CRIMSON STAFF WRITER | Title: ETHAN FROME | 11/13/1998 | See Source »

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