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Nonetheless, several U.S. production companies have bought Japanese-made HDTV equipment for shooting movies, commercials and music videos. Reason: videotape is easier and cheaper to edit than film. Crack in the Mirror, a new action movie starring Robby Benson, was shot entirely on HDTV videotape, and will be transferred to 35-mm film for theatrical release early next year. Rebo High-Definition Studio in New York City, which produced the feature, estimates that its costs were 30% lower than if it had shot and edited the movie on film...
...invitation of President Roger Straus Jr., Shawn is moving to Farrar, Straus & Giroux, one of the few remaining independent publishing houses, as an editor. "Roger Straus and I hope to work out an arrangement such as the one described," Shawn says. "I have agreed to edit three or four books on an informal, friendly basis." Does Straus believe he has pulled off a publishing coup? "You bet I do," he says, adding that he would like Shawn to stay on "as long as he is happy. May it be a thousand years...
Between Philadelphia and the French Riviera was a lengthy apprenticeship. At St. Joseph's College, Corliss helped edit the school newspaper. After studying film history at Columbia University and at New York University, he worked as a film critic for publications as disparate as the National Review, New Times and the now defunct Soho News before joining TIME in 1980. In addition to his reviewer's duties, Corliss co-edits a bimonthly journal called Film Comment (circ. 48,000), scouts films for the New York Film Festival's program committee and is a member of the New York Film Critics...
Independent editors contributed to the writing and editing of the entries, says Yarowsky. Georges also convinced Messina, his roommate, to help him compile, edit and layout the book. "I got involved because I thought it would be interesting, and I felt we could do a better job than the Yale Book [a similar publication], and because it was the kind of writing I like to do--as funny as possible, but informative," says Messina, who did not attend a prep school...
...ranges from $90,000 to $600,000. A typical camera person pulls in about $43,000 before overtime. Junior producers, who accompany the reporter and help set up interviews and research the piece, earn between $45,000 and $75,000. Senior network producers, who also help write and edit stories, make from...