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Walter's story is based on the Hays Press--Enterprise lecture that he is giving this week at the University of California at Riverside. He sent it to TIME.com managing editor Josh Tyrangiel and me for advice, and we thought it had the makings of a groundbreaking cover story. Walter is, of course, a former managing editor of TIME and now president and CEO of the Aspen Institute, with which we are collaborating this summer on a summit in Aspen that will explore the different ways each of us defines health. (For more information or to register, go to www.aspenhealthforum.org...

Author: /time Magazine | Title: Freedom Isn't Free | 2/5/2009 | See Source »

Accompanying Walter's story is a terrific piece by our well-known tech editor-at-large Josh Quittner, who believes that the salvation of journalism may lie in a combination of the next generation of e-readers and micropayments. Josh, a former editor-in-chief of Business 2.0, has spent more than a year thinking and reporting on this idea. The advent of the iPhone and devices like it--killer gadgets connected to a store where one can make a micropayment with the touch of a button--was his eureka moment. I think Walter's and Josh's insight, reporting...

Author: /time Magazine | Title: Freedom Isn't Free | 2/5/2009 | See Source »

Richard Stengel, MANAGING EDITOR...

Author: /time Magazine | Title: Freedom Isn't Free | 2/5/2009 | See Source »

...something fictive, subject to the rules of analysis we apply to a novel or a film.”Further into the gallery, faint whiffs of apple emanated from a crate filled with decaying red apples punctured with nails. Xinran Yuan ’10, also a Crimson photo editor, calls her sculpture from her VES 30 class the more literal interpretation of peer pressure and self-realization. “I was dealing with evoking awareness of the space within people, this idea of inner space and searching for the traces of oneself,” Yuan said...

Author: By Erika P. Pierson, CRIMSON STAFF WRITER | Title: 'Students Choose' and Express with VES | 2/5/2009 | See Source »

...concentrator and Crimson editor.Whereas Harvard’s program approaches production from a survey-like perspective, film schools often divide areas of study by sets of filmmaking skills, such as screenwriting and acting. “If you know you want to be a cinematographer or a sound editor... you have a great opportunity [at USC] to get lots of practical experience in those areas,” said Justin Wilson, USC’s Director of Alumni Relations. This has practical importance. “You have got something to show when you leave [school],” said...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Welcome to the Reel World | 2/5/2009 | See Source »

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