Word: editoral
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Dates: during 1960-1969
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...York, the principal staff group assigned to the story-Senior Editor Michael Demarest, Writer Ronald Kriss and Researcher Harriet Heck-worked in an isolated, unmarked suite of offices on the 40th floor of the Time & Life Building, while some other non-TIME tenants near by wondered what mysterious strangers were doing there when everyone else on the floor was on the way home for the evening. For Mike Demarest, it was the third Man of the Year project in a row, since he handled the stories on General William Westmoreland (Jan. 7, 1966) and the Twenty-five and Under generation...
...cover story was written by Gurney Breckenfeld. Reporters and correspondents across the country tapped their business sources for that story, with an important part of the reporting being done by the Washington Bureau's Juan Cameron, whose beat is economics as it relates to the U.S. Government. Business Editor Champ Clark was in overall charge of the project...
...change in tone was not the result of a change of editorial opinion. Japanese newsmen and editors share the students' aversion to the Viet Nam war and to Japanese rearmament.*But since World War II, Japan's press has been scrupulously attentive to public opinion-and that opinion now is dead-set against continuing violence in the streets. As Japan has revived and boomed in the postwar years, the press has conceived its role to be one of establishing a consensus, of strengthening the bonds of society. If the motivation of the Western press is the right...
...interests of group journalism, Japanese publishers have tried to suppress individuality. In 1965, for example, Minoru Omori was eased out of his job as foreign editor of Mainichi because he had become too prominent. But individualism keeps cropping up. Lately, a few papers have been increasing the use of bylines and striving for a more personal writing style. They have also grown more willing to court controversy. "We are trying to create an atmosphere in which people can speak about formerly taboo subjects," says Yomiuri Editor in Chief Yosoji Kobayashi. Not that the press is ever likely to depart from...
...entries culled by Editor Maud show clearly the developing poet. He was only 15 when he started the first of the four notebooks he sold to the Lockwood, under 20 when he made the last entry in them, but from the very first they reflect both a fierce doubt about the worth of life and a fierce enthusiasm for it. "We are too beautiful to die," wrote the doubting adolescent, and soon he was noting that the beautiful die young (Thomas himself...