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...Music editorship for a college newspaper can be confusing. Decisions, decisions. Do we try to cover the same stuff other newspapers' arts sections do, except with more Harvard bias? Or do we assume college students have more eclectic, diverse tastes (or at least are more willing to try stuff out), and aim to introduce new, interesting things to them? It's hard to tell: I've heard loads of generalizations about the musical taste of students here at Harvard but I only get to interact with a limited percentage of you. So I take a stab in the dark...

Author: By Daryl Sng, CRIMSON STAFF WRITER | Title: In the Mix | 3/3/2000 | See Source »

...have grown. The sports editorship of The Crimson consumed me whole for a year, but I emerged newly aware of the value of leadership, responsibility and a good night's sleep...

Author: By Jamal K. Greene, | Title: END OF THE LINE | 10/6/1999 | See Source »

...Good Will Hunting, as well as Scream). The third member of what Weinstein refers to, perhaps inevitably, as "the Three Musketeers" is Ronald A. Galotti, the "blockbuster publisher of Vogue" (Brown's words) and before that Brown's colleague as publisher of Vanity Fair, site of her previous editorship (both magazines are part of the Conde Nast group, owned by S.I. Newhouse Jr., who also owns the New Yorker). Though he cuts a lower media profile than his colleagues, Galotti is known to cognoscenti as the model for "Mr. Big" in the New York Observer's now discontinued...

Author: /time Magazine | Title: Buzz Buzz Buzz | 7/20/1998 | See Source »

...central figure in High Art is Syd (Radha Mitchell), a newly-promoted assistant editor at a modish New York photography magazine called *Frame*. Syd is a hard worker and has a keen eye, but because her superiors have yet to fill the intern position she vacated for her editorship, she is currently working absurd hours trying to do both jobs. Her boyfriend Steve (Gabriel Mann) laments what he considers her exploitation by the *Frame* staff, but Syd, confident that her dedication will push her up through the editorial ranks, has no complaints. "I'm trying to stick...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: High Art, Despite Solid Acting, Falls Short of Its Namesake | 6/26/1998 | See Source »

...recent departure from the New York Times spun off a torrent of debate, including Marjorie Williams' less than flattering article in Vanity Fair several weeks before Quindlen's announcement. Is Anna Quindlen selling out by rejecting the gleaming apple of a possible executive editorship, or is she just exercising her own choices as a woman by opting to write novels at home, allowing her to spend more time with her three children...

Author: By Hallie Z. Levine, | Title: A Different Voice | 9/24/1994 | See Source »

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