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...ranks of road players and raised, as he raised Barbara Stanwyck and Pauline Lord, to stardom. George Stillwell plays the woman's husband with a touch of burlesque that throws the role out of drawing with the true characters opposed to it. The sets, designed by Robert Edmond Jones, are changed against a cyclorama...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Sep. 17, 1928 | 9/17/1928 | See Source »

Father of two children, citizen of Louvain, one Edmond Morren, a master stonemason, stealthily entered the new Library of Louvain just before dawn one morning last week...

Author: /time Magazine | Title: BELGIUM: Again, Smashed | 7/30/1928 | See Source »

...Modern Theatre," Mr. F. W. C. Hersey, Emerson J. The lecture will be illustrated with slides of stage settings by Gordon Craig. Bakst, Joseph Urban. Robert Edmond Jones, and other artists and producers...

Author: NO WRITER ATTRIBUTED | Title: The Student Vagabond | 4/24/1928 | See Source »

...There is nothing routine about these productions of familiar operas. Rosing, the director, is full of original ideas, which are carried into execution in a spirited manner by members of the company. The settings of Robert Edmond Jones are a happy blend of impressionism and historical realism. The operas are sung in English, not in the old hack translations, but in careful adaptations of the words to the music by Robert Simon, the music critic of The New Yorker. For 'Faust' he has prepared a skilfully adapted libretto, while for the other operas English versions have been carefully, though less...

Author: NO WRITER ATTRIBUTED | Title: NEW OPERA STARS PLEASE, IS OPINION OF CRITIC | 3/23/1928 | See Source »

...Natalie Hall; Mephistopheles was George Fleming Houston; the aged Faust, Patrick Kilkelley; the youthful Faust, Clifford Newdall; Valentin, Raymond Koch. No one of them showed a voice of any great dimensions, but each was vocally adequate and faithful to the tiniest dramatic detail. There were new sets by Robert Edmond Jones, thrilling in color and design, and a new English text by Robert A. Simon, gratefully free from the stilted archaic talk of the old librettos. Greatest tribute to Mr. Rosing was the ensemble, each member of which played like a trained actor as engrossed in being a soldier...

Author: /time Magazine | Title: Music: American Opera | 12/26/1927 | See Source »

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