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...Edmonia Lewis and Henry...

Author: By Daley C. Haggar, | Title: Images of Lewis & Longfellow | 3/3/1995 | See Source »

...Edmonia Lewis and Henry Wadsworth Longfellow: Images and Identities," exhibit at the Fogg Museum shows an admirable interest in a nineteenth century artist who has been mostly forgotten by history. But the exhibition attempts to cover too much ideological ground, and unfortunately trivializes its subject. Edmonia Lewis, the first African-American woman to make her living as a sculptor, was the daughter of a Black father and a Chippewa Indian mother. Longfellow, though his reputation has been eclipsed by that of Walt Whitman in the past century, was the most famous living American poet of his time...

Author: By Daley C. Haggar, | Title: Images of Lewis & Longfellow | 3/3/1995 | See Source »

...exhibit tries to play up. Similarly, a marginalized artist's interest in a patriarchal icon like Longfellow is intended to serve as a metaphor for the difficulty of communication between members of a society polarized by racial and gender issues. In the grand scheme of "Images and Identities," Edmonia Lewis is seen not as an artist, but as a symbol. The subtle condescension towards Lewis is one of the exhibit's central flaws. It can't decide whether it wants to be a showcase of Lewis' works, or a political statement...

Author: By Daley C. Haggar, | Title: Images of Lewis & Longfellow | 3/3/1995 | See Source »

...engaging reading?but the wrong person wrote the book, overwrote it, if these generation-comparisons are to be taken seriously. Miss Glasgow is too merciless to make her Judge bearable; too doctrinaire to know what she means by Annabel. The best character is Gamaliel's twin sister, Edmonia, who lost her virtue young, married four times and loves to tell about...

Author: /time Magazine | Title: Books: Fiction: Dec. 20, 1926 | 12/20/1926 | See Source »

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