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...Edna Mae (Ellen Burstyn) is a faith healer without an orthodox faith. Though the deaf and the halt are cured at her touch, she is no manic Holy Roller, no snake-shaking spellbinder invoking God's immediate intervention for the sake of a fatter collection plate. She is a sensible Kansas widow, retrieved from a brush with death, who restores health "in the name of love." Love is all she wants to give to the two men in her life: her stern pa (Roberts Blossom), who responds to her proffered caress both as a seduction and a slap...

Author: /time Magazine | Title: Cinema: Miracle Worker | 11/3/1980 | See Source »

...conflict (The Great Santini and Eleanor and Franklin). Here, they have tried to blend the two forms, but the film does not always gel. The problem may stem from a lack of faith in its "small," challenging story. When in doubt, Carlino inserts a violent climax, or Petrie thrusts Edna Mae into an afterlife that looks like an overlighted subway tunnel. They are more success ful in illuminating small, crucial scenes from the life of this ordinary woman who happens to be a miracle worker...

Author: /time Magazine | Title: Cinema: Miracle Worker | 11/3/1980 | See Source »

...African tribes have long since been outlawed by African governments." Who are these authorities? A resolution was passed in Lusaka by women delegates from 42 African countries condemning infibulation. I refer to the address presented at the 1979 Conference for Women in Lusaka, by the delegate from Somalia, Mrs. Edna Ismael: "Female circumcision ranks high in the list of preventable health hazards and affects almost 100 per cent of the female population of Somalia, Sudan and Djibouti, and to a lesser extent the females of Southern Egypt, Chad, Nigeria, Senegal, Kenya, Ethiopia and Mail, just to name a few." Islam...

Author: NO WRITER ATTRIBUTED | Title: Liberating Victims | 10/4/1980 | See Source »

VIRGINIA by Edna O'Brien...

Author: /time Magazine | Title: Theater: Marathon Time at Stratford | 7/21/1980 | See Source »

...life of Virginia Woolf. One may argue that it is not quite a play, since its structure is that of a labyrinthine interior monologue. This will captivate some playgoers and alienate others. Since about 70% of the material in Virginia comes from the letters and diaries of Woolf, Edna O'Brien is at least as much editor as author of the drama. However, she has a deep affinity for her subject and never violates Woolfs tone of voice. In the title role, Maggie Smith is bold, lustrous and moving; it is as if she had stored up every acting...

Author: /time Magazine | Title: Theater: Marathon Time at Stratford | 7/21/1980 | See Source »

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