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Mozart: Piano Concerto in C, K. 246; Haydn: Piano Concerto in D (AnaMaria Vera pianist, Rotterdam Philharmonic Orchestra, Edo de Waart conductor, Philips). Another up-and-coming pianist is Ana-Maria Vera of Washington, D.C. The joyous innocence with which she attacks these lighthearted concertos is at once admirable and touching. So is her sparkling technique and rapport with Maestro De Waart, the Dutchman who is succeeding Seiji Ozawa at the helm of the San Francisco Symphony. Ana-Maria, born in 1965. was eleven when this recording was made...

Author: /time Magazine | Title: Music: Classic and Choice | 4/4/1977 | See Source »

...Edo Marion, Al Gordon...

Author: NO WRITER ATTRIBUTED | Title: Speculation Mounts On Candidates For Honoraries | 6/16/1976 | See Source »

...time of ready-to-wear, mass-produced clothes, the kimono of old Japan seems a fabled anachronism, like phoenix feathers. In the Edo period, for example, between the early 17th and middle 19th centuries, the art of designing and dyeing those full-sleeved, sashed garments reached its peak. Fortunes were expended on kimono by merchants and nobles, whose wives might, on formal occasions, wear 20 layers of shimmering robes. Since the 8th century they have been the stuff of poetry...

Author: /time Magazine | Title: Art: Furisode and So-Hitta | 5/24/1976 | See Source »

...first character of this verse by the 11th century Lady Sagami, "Tagasode: whose Sleeves . . .," has been adopted as the title of the spring exhibition that opens this week at New York's Japan House Gallery. It consists of 43 elaborate Edo-period kimono, chosen from 11,000 examples from Japan's foremost private collection. Almost all the techniques of kimono making - especially the two major ones, tie-dyeing and resist-dyeing - are on view in examples of the highest quality (see color...

Author: /time Magazine | Title: Art: Furisode and So-Hitta | 5/24/1976 | See Source »

...material or the subject, the sense of design never falters. Nor the painstaking labor required of kimono makers. The most difficult technique was known as sō-hitta, or overall tie-dyeing. The word suggests rich hippies in blotchy homemade tank tops, but the Japanese craftsmen of the Edo period raised this system of knotting and immersion-dyeing to a most taxing pitch of subtlety. The furisode ("swinging sleeves" kimono), with its design of a lone pine tree running up the back, required hundreds of thousands of knots, each placed with fanatical precision so that the untied (and hence colored...

Author: /time Magazine | Title: Art: Furisode and So-Hitta | 5/24/1976 | See Source »

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