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Word: edouard (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...CAGE AUX FOLLES Directed by Edouard Molinaro Screenplay by Francis Veber, Edouard Molinaro, Marcello Danon, Jean Poiret...

Author: /time Magazine | Title: Cinema: Gay Birds | 8/20/1979 | See Source »

...bestselling Le Mai Français (The French Sickness); Health Minister Simone Veil, whom polls have shown to be the most popular figure in French politics; Interior Minister Christian Bonnet, who has been widely praised for his department's skill in negotiating the release of kidnaped Belgian Baron Edouard-Jean Empain (TIME, April...

Author: /time Magazine | Title: FRANCE: Chaban's Return | 4/17/1978 | See Source »

...familiar newspaper photograph that no one even gave him a second glance. Yet for more than two months, thousands of police had been combing through much of France looking for a single trace of him. Then early last week, with authorities suddenly hot on the trail, Belgian Millionaire Baron Edouard-Jean Empain, 40, was released by his captors in a frenzied panic that contrasted sharply with their coolly professional capture of him 63 days earlier. Dropped off in suburban Ivry and handed 20 francs, Empain used the money to take a Métro to the Place...

Author: /time Magazine | Title: CRIME: Empain's Ordeal | 4/10/1978 | See Source »

...passenger, Baron Edouard-Jean Empain, 40, was the boyish-looking scion of a Belgian family that built the Paris subway system at the turn of the century, and now, with Empain as overseer, controls a French conglomerate comprising 150 companies with 130,000 employees and annual sales of $4.7 billion. The kidnap vehicles and the Peugeot were found abandoned. Was Empain the victim, in the current European terminology, of a kidnap à 1'italienne, engineered by professional criminals purely for ransom, or of a kidnap à l'allemande, pulled off by terrorists trying to force the release...

Author: /time Magazine | Title: World: Paris Kidnap | 2/6/1978 | See Source »

...EDOUARD MANET painted At the Railroad Station; four years later Claude Monet painted a similar scene. Manet chose to depict two pretty women sitting under a sunny sky with the station creating a bland industrial backdrop. Monet omitted the smiling women, painting only the dark, smoky blue train station; and the opening shot of Julia is a technicolor replica of his ominous image--an image that is repeated frequently throughout the film. Julia is the story of Lillian Hellman (Jane Fonda) and her childhood friend (Vanessa Redgrave) whom she christens "Julia," who together lost the insular beauty of their adolescence...

Author: By Joanne L. Kenen, | Title: Technicolor Portraits | 10/15/1977 | See Source »

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