Search Details

Word: edouarde (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...manners, Tanner was a conservative. Nonetheless, he enjoyed a remarkable popular success. Soon after he arrived in Paris, he began to paint Biblical subjects in Oriental settings. Executed with sinuous vigor of line and a dramatic use of chiaroscuro, these pictures had much in common stylistically with Edouard Vuillard and Art Nouveau. When Daniel in the Lion's Den was shown in the Paris Salon in 1896, the famous French history painter Jean-Leon Gerome insisted that it be given a place of honor. When the Raising of Lazarus was shown in 1897, it was awarded a medal...

Author: /time Magazine | Title: Painting: Methodist in Paris | 7/11/1969 | See Source »

Mosley recreates a climate of haplessness. French Premier Edouard Daladier, Czechoslovakia's President Eduard Beneš and even Mussolini seemed as out of step with history as Chamberlain. They were obsolete men (in the McLuhan sense) when compared to an eerily turned-on Hitler. Czechoslovakia, with a modern air force and a well-trained army, put up no resistance. It was, alas, Poland that stood firm: the only trouble was, as Mosley observes, "When the Poles saber-rattled it was actually sabers they were rattling...

Author: /time Magazine | Title: Books: Fate as Choice | 6/27/1969 | See Source »

...Edouard Vuillard was, in his own words, an armchair painter. In search of subject matter, he rarely ventured beyond the Montmartre apartment he shared with his mother, and then only to the homes of his few close friends. The apartment also served as his mother's dressmaking shop; it was constantly alive with seamstresses and customers exchanging confidences about fittings, and cluttered with bolts of satins and silks, ribbons and pattern snippings. In this homely setting, Vuillard, who derisively referred to himself as "the in-timist," fashioned vignettes of quiet domesticity that suggest a less radiant...

Author: /time Magazine | Title: Painting: The Quiet Observer | 8/23/1968 | See Source »

...kamagraph looks as though the artist had painted it by hand. The French call this type of work a "multi-original," because the machine can work only with a painting painted for it on a specially treated canvas plaque. Lichine & Co. have so far recruited Ernst, Rene Magritte and Edouard Pignon for their stable of pilot kamagraphers, plan to put their output on sale in the U.S. in the autumn, priced...

Author: /time Magazine | Title: Techniques: Multi-Originals & Selected Reproductions | 6/23/1967 | See Source »

...least in Europe. Beginning next month, a favored few will be able to flash what promises to be the most patrician card of them all: a plastic ducat bearing the famed five-arrow emblem of the House of Rothschild and the blue-and-yellow racing colors of Guy Edouard Alphonse Paul de Rothschild, 57, head of the Paris branch of the family and of the grande dame of French banks, Rothschild...

Author: /time Magazine | Title: France: Cashless, but Not Classless | 1/6/1967 | See Source »

Previous | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | Next