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Caressing Shadows. Edouard Manet, who eventually won the Légion d'honneur ribbon, strove mightily to stay on the good side of the academicians. Though his subject matter was often as old as Giorgione's and Raphael's, the fact that he presented his themes in modern dress was enough to outrage viewers brought up on neoclassicism and romantic literary allusions. Manet discovered his clue to portraiture, and his fresh, vigorous palette, in the paintings of the 17th century painter Velásquez. In The Fifer, Manet even used the same greyish background Velásquez...

Author: /time Magazine | Title: Art: Masterpieces of the Louvre: Part II | 7/7/1958 | See Source »

...EDOUARD L. COURNAND PRESIDENT LANVIN PARFUMS, INC. NEW YORK CITY

Author: /time Magazine | Title: Letters, Jun. 30, 1958 | 6/30/1958 | See Source »

...admired, but it was rigidly required to be loyal. Since, to the Marxist, the new society was the inevitable result of the inexorable evolution of natural law, Marxism appeared to be a triumph of science, and science in turn became a Marxist cult. In 1934 French Statesman Edouard Herriot observed that "Soviet rule has bestowed upon science all the authority of which it deprived religion...

Author: /time Magazine | Title: Foreign News: The Brahmins of Redland | 6/2/1958 | See Source »

...showman (Paris publicity head of United States Lines), who scoots about in a 1924 Rolls, stuffs his mouth with diced raw beef like a kid gobbling popcorn. His self-dubbed "spontaneous creations" are flashy signatures squeezed in a frenzy straight from the paint tubes onto one-tone backgrounds. ¶ Edouard Pignon, who went from coal mining and a Citroen assembly line to painting Picasso-flavored landscapes, now adds a lyrical personal tempo to his semi-abstractions. A neat, natural talent whose 1957 oils convey the Mediterranean joy, light and life of a little resort near Marseilles, Pignon is currently...

Author: /time Magazine | Title: Art: ECOLE DE PARIS | 3/24/1958 | See Source »

From the first crack of the hammer by veteran Auctioneer Louis J. Marion, paintings by Picasso, Signac, Pissarro, Lautrec were knocked down at the top prices Parke-Bernet had noted in their confidential books. But when a handsome view of the Tuileries by Edouard Vuillard, appraised at $25,000, was placed on the stand, there was a long-drawn sigh of delight, followed by a bedlam of bids as 18 green-uniformed bid callers and four assistant auctioneers tried to keep up with the rush that shot the price in 2 min. 15 sec. from a $15,000 opener...

Author: /time Magazine | Title: Art: The Greatest Auction | 11/18/1957 | See Source »

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