Word: edwardes
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Dates: during 1980-1989
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EXECUTIVE EDITORS: Edward L. Jamieson, Ronald Kriss...
WRITER-REPORTERS: Edward M. Gomez, Alain L. Sanders
EDITORIAL FINANCE: Eric A. Berk (Manager); Genevieve Christy, Peter Mitchel (Deputies); Patricia Hermes, Camille Sanabria, Linda D. Vartoogian; Wayne Chun, Sheila Greene, Carl Harmon, Gene Isaac, Edward Nana Osei-Bonsu, Esther F. Rodriguez, Katherine Young...
London: William Mader, Anne Constable Paris: Christopher Redman, Margot Hornblower Brussels: Adam Zagorin Bonn: James O. Jackson Rome: Cathy Booth Eastern Europe: John Borrell Moscow: John Kohan, Ann Blackman Jerusalem: Jon D. Hull Cairo: Dean Fischer Nairobi: Marguerite Michaels Johannesburg: Scott MacLeod New Delhi: Edward W. Desmond Beijing: Sandra Burton Southeast Asia: William Stewart Hong Kong: Jay Branegan Bangkok: Ross H. Munro Seoul: David S. Jackson Tokyo: Barry Hillenbrand, Seiichi Kanise, Kumiko Makihara Ottawa: James L. Graff Central America: John Moody Rio de Janeiro: Laura Lopez
...nonmusical, it has been booked for major productions in Paris, Brussels, Oslo, Copenhagen, Rome, Madrid, Tokyo, Tel Aviv, Sydney, Auckland, Rio de Janeiro, Mexico City, San Juan and New Delhi. This makes Hwang the first U.S. playwright to become an international phenomenon in a generation, since the heyday of Edward Albee. Dozens of film companies have bid for the rights. Says Hwang: "I guess the play is the thinking person's Fatal Attraction, a reflection of the fear between men and women and a kind of intellectual striptease. It's also about the West's fear of how its relationship...