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Presidential candidate Eduardo J. Dominguez '01placed fifth with 138 first place votes, followedby David L. Levy '00 with 85 votes, JonathanGruenhut '99 with 45 votes and Edward "Ted" A.Swasey '00 with 43 votes. M. Michelle Robinson '01and Henry C. Quillen '00 each had 41 first-placevotes...

Author: By Rachel P. Kovner, CRIMSON STAFF WRITER | Title: Council Race Goes to Seton, Redmond | 12/14/1999 | See Source »

...Edward F. Meinert, who pled guilty in October to one count of theft and one count of fraud, had been scheduled for sentencing yesterday, but his lawyer, Joseph Jorgens, asked a federal judge to postpone the hearing...

Author: By Marc J. Ambinder, CRIMSON STAFF WRITER | Title: Impostor's Sentencing Postponed | 12/14/1999 | See Source »

Levin is the author of several books, including The Alienated Voter: Politics in Boston (1960), two books on Sen. Edward M. Kennedy '54-'56 (D-Mass.), and Talk Radio and the American Dream...

Author: By Benjamin M. Grossman, CONTRIBUTING WRITER | Title: B.U. Political Science Professor, Scholar-Activist, Dies at 72 | 12/13/1999 | See Source »

...AIDS caused by human error? That's the intriguing question that former BBC reporter Edward Hooper tries to answer in The River (Little, Brown), an exhaustive but quite readable tome that is part travelogue, part scientific inquiry, part investigative journalism. Hooper tries to establish what a panel of scientists convened in 1992 could not--that HIV spread from chimps to man in contaminated experimental polio vaccines that were tested in Africa. He comes close--very close--but falls short of the smoking-gun evidence that would put the issue to rest...

Author: /time Magazine | Title: Did Polio Researchers Create AIDS? | 12/13/1999 | See Source »

...more convincingly mechanical, especially the final scenes of the play. Helen eventually kills her husband, as the audience anticipates, and the court scene that ensues is fabulously orchestrated. Gunn demonstrates considerable talent in controlling his body. As robot-husband, he is eerily mechanical and almost reminiscent of an Edward Scissorhands figure. Parris and Agresta, both lawyers, reflect the insensitivity and detachment that the law has for human emotion. The bright lighting illustrates a sense of barrenness, and the media, Montoya and Gomes, again engage in their convincing double dialogue and contribute to the scene's mechanical intention...

Author: By Nikki Usher, CONTRIBUTING WRITER | Title: Machinal: Story of a Shocker | 12/10/1999 | See Source »

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