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Following last year's publication of The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas, Edward Gorey '50 told an interviewer from Newsday, "I wouldn't buy [the book] as a present, but then apparently they're hoping for lots of people to." While the interviewer interpreted this comment as intended "impishly," I could as easily believe that Gorey meant what he said. Until then, the little books that Gorey writes and illustrates had been reliable delights; The Haunted Tea-Cosy stands out as the least interesting of his work. The Headless Bust is the sequel...

Author: By Annie Bourneuf, CONTRIBUTING WRITER | Title: Gorey Loses His Touch | 10/15/1999 | See Source »

...Jazz Age-naughtiness of The Curious Sofa but will budge no further. An enthusiasm for the obsolete furnishes his rooms with daguerreotypes, gramophones and bell-pulls, and his diction matches the furniture-- his characters say things like "Mercy!" and "Drat!." Gorey's nonsense verse is the direct descendant of Edward Lear's and Lewis Carroll's, and, as it would be impossible to transplant Lear or Carroll to another era, Gorey inherits their Victorian world along with their spirit...

Author: By Annie Bourneuf, CONTRIBUTING WRITER | Title: Gorey Loses His Touch | 10/15/1999 | See Source »

...sense, then, yuppie angst is the dysfunction that dares not speak its name. Edward Norton's character in Fight Club is so ashamed of the fact that he is bored with the Gap(tm)-bland banality of his successful life he is forced to pretend that his affliction is something completely different. Hence his addiction to group therapy sessions, where he can pretend that his unhappiness springs from testicular cancer or OCD rather than from the cookie-cutter pointlessness of his life. Carolyn Burnham (Annette Bening) in American Beauty faces the same dilemma: she's wealthy, she has a nice...

Author: By Ankur N. Ghosh, CONTRIBUTING WRITER | Title: hush, yuppies: would you like some whine with your cheese? | 10/15/1999 | See Source »

...explode in your face like a computer at midnight on New Year's Day 2000. Aggression seems truly to be the key to defusing the ticking time-bomb of yuppie angst. This is obvious in Fight Club: the entire movie is centered around the premise that yuppie poster boy Edward Norton finds escape from his micromanaged world only when he is pounding someone else to a pulp with his bare hands. Everything is frenetic, violent, and rough-cut in retaliation against the stuffy conformity of yuppie existence: in this angst-ridden world, movies have violent spurts of hardcore pornography, people...

Author: By Ankur N. Ghosh, CONTRIBUTING WRITER | Title: hush, yuppies: would you like some whine with your cheese? | 10/15/1999 | See Source »

...sense, then, yuppie angst is the dysfunction that dares not speak its name. Edward Norton's character in Fight Club is so ashamed of the fact that he is bored with the Gap(tm)-bland banality of his successful life he is forced to pretend that his affliction is something completely different. Hence his addiction to group therapy sessions, where he can pretend that his unhappiness springs from testicular cancer or OCD rather than from the cookie-cutter pointlessness of his life. Carolyn Burnham (Annette Bening) in American Beauty faces the same dilemma: she's wealthy, she has a nice...

Author: By Ankur N. Ghosh, CONTRIBUTING WRITER | Title: Undoing Yuppiedom | 10/15/1999 | See Source »

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