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...Hollywood, slavery and its infamous legacy have begun to serve as outlets for ambitious filmmaking, whether through wrenching visual impact or intense emotional experience. In recent memory, Edward Zwick delved into the psyche of the black soldier for his sweeping Civil War epic Glory, while Steven Spielberg intertwined visually jarring images of slavery with courtroom drama in Amistad...

Author: By Bill Gienapp, CONTRIBUTING WRITER | Title: 'Beloved' Spreads Its Boughs | 10/9/1998 | See Source »

...Edward Albee...

Author: By Amy G. Piper, CONTRIBUTING WRITER | Title: Colors Clash in Albee's 'Bessie' | 10/9/1998 | See Source »

...Edward Dolnick...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: 'Madness' Charts Psychotherapy's Wayward Drift | 10/9/1998 | See Source »

...Madness on the Couch, Edward Dolnick, a veteran science writer for Health magazine and The Boston Globe, explores how Rosen-type therapists saturated the psychoanalytic profession with bad science, unearned hubris and treatment that was patently dangerous to patients and families. Dolnick does not launch into a diatribe against all forms of psychotherapy. Although psychotherapy can be effective for treating neuroses (relatively benign emotional disorders), Dolnick targets psychoanalysts who tried to cure psychoses (marked disorders of perception or reality) with talk therapy alone. From the 1940s to the 1970s an aggressive cabal of psychoanalysts fit such a bill; they scoffed...

Author: By Joanne Sitarski, CRIMSON STAFF WRITER | Title: 'Madness' Charts Psychotherapy's Wayward Drift | 10/9/1998 | See Source »

...Baltimore neighborhood Pecker (Edward Furlong), who takes pictures of its benignly weird denizens, is regarded as a sweetly beamy pest. In the New York art world, however, he comes to be regarded as a divine primitive. You can probably imagine the clash when Waters brings Pecker's blue-collar subjects together with his chic discoverers. Much more fun--as always in Waters' genially transgressive movies--are the rich portrayals of his fellow Baltimoreans, among them Christina Ricci's Laundromat Nazi, Mary Kay Place's fashion-forward thrift-shop owner and Jean Schertler's goofy grandma using a statue...

Author: /time Magazine | Title: Cinema: Pecker | 10/5/1998 | See Source »

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