Word: edwardianism
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...aging literary gents are discovered at wordplay in a womblike Edwardian salon. John Gielgud, the social-climbing guest, is a failed poet and garrulous pub bore. Host Ralph Richardson is a successful but dipsomaniacal belletrist blimp who keeps two menacing servants to guard against just such intrusions. Together these two titled mandarins of the stage are guiding us into Pinter-land, where words struggle to contain the open-ended flux of existence. Our journey through it is brilliantly illuminated by their partnership...
...followers of Public Television's most popular import know, the relationship between Richard Bellamy and his servants in the Edwardian saga Upstairs, Downstairs is complex, profound -and totally unilateral...
...island's wave-beaten shores on the wings of poesy. Joseph Conrad's Jim leaves Victorian propriety behind him to become a brutal lord among primitive East Indies tribesmen. D.H. Lawrence's characters trek to all parts of the globe in search of a primeval energy lacking in Edwardian drawing rooms. Malcolm Lowry's consul seeks to escape from the gentility of Georgian society by drinking himself into a stupor under the volcanoes of Mexico...
...does seem improbable. One suspects from the beginning of LOVE AMONG THE RUINS (ABC, Thursday, March 5, 9 p.m. E.D.T.) that Hepburn's amnesia is a ploy, that Writer James Costigan will find a way for old love to conquer all. But who cares? His nostalgic Edwardian romance is just a charming conceit designed to bring Hepburn, 65, and Olivier, 67, together. The director is Veteran George Cukor, 75, whose cutting and camera placements impart a subtle tension (and an air of elegant craftsmanship) above and beyond the call of television duty. Indeed, all three conspire to make Costigan...
...outline for the first series was based partly on the stories of Eileen's parents, an underbutler and a needlewoman in the Edwardian era, and partly by Jean's reading preferences. She wanted the servants to talk with the uncontaminated candor of Ivy Compton-Burnett's oracular children. The close, conspiratorial relationship between Rose and Sarah, the rebel maid, was inspired by the two maids in Henry Green's novel Loving (belowstairs in a country house). Remembering how one of those maids found her mistress in bed with a lover, Jean says: "I always wanted...