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Word: edwardianism (lookup in dictionary) (lookup stats)
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Other signs of revolt soon cropped up. Teen-age gangs hit the streets, dressed in sleazy imitations of Edwardian frock coats. The Teddy boys mixed it up in angry race riots with West Indians, who were crowded into rundown districts like Paddington and Netting Hill Gate. Next, boys and girls divided up into foppishly dressed Mods and leather-jacketed Rockers, took to Brighton and Margate on holiday weekends to have a bit of a rumble while their elders rocked with still greater shock over the seamy revelations of the Profumo affair. Suddenly, with Profumo, the veneer of the upper classes...

Author: /time Magazine | Title: Great Britain: You Can Walk Across It On the Grass | 4/15/1966 | See Source »

...SCENE TWO. Saturday afternoon in Chelsea. Up from the Sloane Square tube station swarm the guys and dollies, girls in miniskirts (three to six inches above the knee) or bell-bottom trousers. The morning has been spent "raking" among the Edwardian bric-a-brac, dusty candelabra and other antiques in the stalls on Portobello Road. Now, as if by a common instinct, the whole flock homes in on King's Road, site of such bird boutiques as Bazaar, and Granny Takes a Trip, as well as Hung On You, the "kinkiest" (wildest) men's shop, which features...

Author: /time Magazine | Title: Great Britain: You Can Walk Across It On the Grass | 4/15/1966 | See Source »

...BAGS FULL, by Jerome Chodorov. Written in mock-Edwardian, directed like a six-day bike race, this adapted French farce is irresistibly droll, thanks chiefly to that dour master of ludicrous mayhem, Paul Ford...

Author: /time Magazine | Title: Television: Apr. 1, 1966 | 4/1/1966 | See Source »

...BAGS FULL, by Jerome Chodorov. Writ ten in mock-Edwardian, directed like a six-day bike race, this adapted French farce is irresistibly droll, thanks chiefly to that dour master of ludicrous mayhem, Paul Ford...

Author: /time Magazine | Title: On Broadway: Mar. 25, 1966 | 3/25/1966 | See Source »

...dialogue is archly mock-Edwardian; the pace, trampolin-bouncy. The sprung rhythms prove complementary, and the cast handle the outlandish fool ery like seasoned farceurs. The show does have its slack and silly moments, but never when Paul Ford is dead center, deadpan and dead earnest, the dourest living master of comic mayhem...

Author: /time Magazine | Title: Theater: Dour Delight | 3/18/1966 | See Source »

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