Word: edwards
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Dates: during 1940-1949
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Chicken or Egg? Rheumatic patients carry in themselves the cure as well as the cause of the disease, say Mayo's Drs. Philip S. Hench and Edward C. Kendall. The problem: how to wake up the dormant curative powers in the body. Drs. Hench and Kendall have succeeded in doing it dramatically but temporarily with two hormones: cortisone, originally called compound E,* and ACTH (TIME, May 2). But they were cautious in their report, warned that the hormones are still extremely scarce and that it is too early to tell how safe the long treatment will...
...business errand for Britain's crack opera company; Glyndebourne's U.S. debut at Princeton, N.J. had been set for autumn 1950, and Bing was well satisfied. Then his phone rang. His faintly accented "Hello" was answered by the mellow tenor tone of the Metropolitan Opera's Edward Johnson. Could Mr. Bing attend a performance as his guest? Rudi Bing said he would be delighted. Last week, operalovers the world over learned that Rudi had seen and heard more than Mozart's Marriage of Figaro at the Met. He had also seen and heard the beginnings...
...more of a surprise to Manhattan critics. Since Canadian-born Edward Johnson announced his retirement in 1950, they had been murmuring such names as Lawrence Tibbett, Lauritz Melchior, even Billy Rose as his successor. The New York Times's highbrow Olin Downes suggested that some people would consider it "time an American were appointed to head America's greatest operatic institution." The nobrow Daily News fired off an editorial: "Fair Shake for American Talent...
...Edward, My Son (M-G-M), starring Spencer Tracy, is an ambitious Hollywood effort to cash in on a British play which became a Broadway stage hit. Though it lacks the play's richest ingredient-the polished performance of British Actor and co-Playwright Robert Morley-it still makes a succulent emotional pudding...
Juiciest plum is Tracy's role as Arnold Boult (in the play it was Holt), a self-made, Canadian-born tycoon whose greatest pleasure in life lies in spoiling his only son. Young Edward, who never appears in the film, is actually an ingenious peg on which to hang a full-length portrait of his egotistical father. Boult's love for his son is really love of self; his determination to make the world Edward's oyster thinly disguises his own appetite for power...