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...snorts. "It smells of Hollywood. The human being becomes forgotten." His office now has projects for a new cultural center for Wolfsburg, Germany (home of the Volkswagen works), a museum in Denmark, a semicircular apartment house in Bremen and a new opera house for Essen. Says U.S. Architect Eero Saarinen, himself the son of a famed Finnish architect: "In the postwar decade, Aalto seemed headed away from the mainstream of architecture-until now. The development of the last few years has proved him right. Architecture, while maintaining its gain in technology, is turning to Aalto's treatment of natural...

Author: /time Magazine | Title: Art: PRICKLY INDIVIDUALIST: FINLAND'S AALTO | 10/5/1959 | See Source »

Rarely has New York, home of showplace restaurants (if not of showplace food), seen anything quite like The Four Seasons. Such architects as Mies van der Rohe. Eero Saarinen and Philip Johnson helped to arrange its five lavish dining rooms (two public, three private). Fifteen trees of different and exotic species ranging up to 18 feet tall wave in the breeze, and $50,000 worth of foliage, from cheese plants to Ficus trees, crowd the Mies chairs and Johnson tables. The walls are covered with an original Jackson Pollock spatter painting called Blue Poles, three surrealistic tapestries by Joan...

Author: /time Magazine | Title: MODERN LIVING: Food Is Also Served | 7/27/1959 | See Source »

...show selects five as master form givers-the late Frank Lloyd Wright, Walter Gropius, Mies van der Rohe, Le Corbusier, and Alvar Aalto. Of the second generation, eight are singled out as leaders: Architects Marcel Breuer, Wallace K. Harrison, Philip C. Johnson, Richard J. Neutra, Eero Saarinen, Edward D. Stone, Engineer R. Buckminster Fuller, and the firm of Skidmore, Owings & Merrill. Reviewing the past, assessing the present, and eying the future, the show leads to two major conclusions: 1) modern architecture has now clearly swept its early Beaux Arts enemies from the battlefield; 2) its architects, secure in their conquest...

Author: /time Magazine | Title: Art: The New Architecture | 4/27/1959 | See Source »

...reaction is recent, caused in part by the miles of glass facades that have resulted from Mies's approach in the hands of less talented practitioners. Says Architect Philip Johnson, a onetime Mies collaborator: "Mies is such a genius. But I grow old and bored." Eero Saarinen quietly insists: "There does not have to be as much glass as Mies says." Says Edward D. Stone: "I am beginning to long for a feeling of permanence and monumentality." To all of this, Mies rumbles: "They say they are bored with my objectivity. Well, I am bored with their subjectivity...

Author: /time Magazine | Title: Art: The New Architecture | 4/27/1959 | See Source »

...Eero Saarinen's T.W.A. Terminal for Idlewild (TIME, March 9), a bold and sculpturesque winged form in concrete expressive of flight...

Author: /time Magazine | Title: Art: The New Architecture | 4/27/1959 | See Source »

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