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Word: eero (lookup in dictionary) (lookup stats)
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Louis to go on display under a model of Eero Saarinen's St. Louis arch out side the $250,000 U.S. pavilion. In side the pavilion, 75 companies plugged their products with splashy displays...

Author: /time Magazine | Title: Aircraft: Image Building at the Big Show | 6/2/1967 | See Source »

...time and again in importing distinguished foreign stars from Callas to Caballe, are in Dallas, Chicago and San Francisco. The Louisville Orchestra has recorded more works by modern U.S. composers than any other orchestra. The town of Columbus, Ind. (pop. 27,500), has a church and bank designed by Eero Saarinen, a school by San Francisco's John Carl Warnecke and a town library being designed by New York's I. M. Pei. And Saarinen's most spectacular building, the John Deere headquarters, stands on a wide sweep of lawns in Moline...

Author: /time Magazine | Title: Essay: PROVINCIALISM IS DEAD. LONG LIVE REGIONALISM! | 10/21/1966 | See Source »

Privacy's Penalty. TWA opened new terminals in 17 cities, including its architectural masterpiece by the late Eero Saarinen at New York's Kennedy Airport, developed such an efficient maintenance center in Kansas City that several other lines have engines overhauled there...

Author: /time Magazine | Title: Airlines: Caught at the Crest | 7/22/1966 | See Source »

...nothing automatic about its success; no theater has had a more troubled past or has required more midwives to officiate at its birth. In the first place, the $9,600,000 structure is not one building, but two. The theater core and lobby were designed by the late Eero Saarinen; the exterior, which serves as a library, is the work of Skidmore, Owings & Merrill's Gordon Bunshaft. "This is the least likely marriage I have envisioned," Saarinen wrote his staff. "But it might be very interesting. We can at least call it an affair...

Author: /time Magazine | Title: Openings: The Collaborators | 10/29/1965 | See Source »

...Inside, Eero Saarinen teamed up with Broadway Set Designer Jo Mielziner; the two men set out to design the most modern and flexible theater that they could conceive of, including an automated console programmed to control the saturation lighting for a three-hour show, a stage containing a motorized turntable, 36 ft. in diameter, large enough to handle an entire production, with an independently rotating 5-ft. outer ring left over. And tucked away overhead was space for the sets of five shows...

Author: /time Magazine | Title: Openings: The Collaborators | 10/29/1965 | See Source »

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