Word: effective
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Dates: during 1990-1999
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Since, however, the compromise is likely to be signed by Clinton and to take effect soon but will expire in a year, we urge next year's House and Senate Democrats to fight against the agreement's offending conditions...
...even more, not only changing his name to honor the new god (Akhenaten means "one who serves Aten") but also banishing the older gods, especially the priestly favorite Amen. Some scholars believe Akhenaten's monotheism, a historic first, inspired the Hebrew prophets, but it had the more immediate effect of freeing Egypt's artists. They could now portray the Pharaoh and the voluptuous Nefertiti (who may have shared the throne with him) in a far more casual, realistic way. Akhenaten's cone-shaped head, elongated face, fingers and toes, pot belly and flaring hips have led some scholars to suggest...
...simple to say that art ever after has followed trancelike in the acid-green aura of the Warhol Effect. The art roughly of the '70s, from Kent State through Watergate to the imperial rise of Reaganomics, reflected the seismic social shifts of the times. And what that churned up is seen in the show's kaleidoscope of imagery, ranging from a full-size mannequin of a rather worn-looking camel by Nancy Graves through documentary photos of Chris Burden after a self-inflicted gun wound to a film of Robert Smithson running along the rocky ground of his massive...
...moment of the Warhol Effect was back, inspirited by the cash of the swelling Wall Street plutocracy that seemed to live inside the Pop artist's reverie of an endless spree of sensations and spectacles acquired, used up and instantly replaced. This is not to say that work harkening to the spiritual, to quieter introspection, wasn't being done. Such abstract artists as Bill Jensen, Sean Scully and Christopher Wilmarth were making some of their best work, but their belief in the poetic possibilities of doubt were no longer the currency...
...telling that none of them are in this show. Lisa Phillips, curator of the exhibition, manages to mimic the raucous energy of a half-century of American art in these overstuffed rooms (and frequently to confusing effect), yet it's clear who she thinks won the struggle for the soul of that art. Despite a token gallery or two thrown in at the end of the show that seem little more than a grab bag of hot names in the '90s, the real finale to the Whitney's survey comes just before these rooms...