Word: effectively
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Dates: during 1940-1949
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...debates wore on, the most dramatic issue was one not yet on any U.N. agenda: the cold war between Russia and Yugoslavia. The Yugoslav delegation voted with the Russians against the Chinese Nationalists' proposal; in effect this was a vote for China's new Communist rulers, whom the Yugoslavs hail as comrades, hoping that the Chinese might turn to a Titoism of their own. But on most other issues, the Yugoslavs lined up with the West. Last week, the U.S. announced that it would back the Yugoslavs for a seat on the Security Council against Czechoslovakia. The Yugoslavs...
There was much more. But in effect what Churchill had to say was that abundance does not come to a country that tries to have economic equality by fiat. If Britain wanted prosperity, let her vote the Conservatives back...
...tirade went on & on. In effect, what Bevan said was that there was nothing the matter with Britain that had not been handed on by Tory predecessors, or aggravated by Tory criticism during the postwar period. When he finished he got a deafening ovation from Laborites. Deputy Premier Herbert Morrison's smile, however, was wan and sickly. With Attlee tired, Cripps and Ernie Bevin ailing, Morrison and Nye Bevan are the chief rivals for Labor leadership. Bevan's admirers thought his slambang speech had moved him several notches nearer to No. 10 Downing Street...
...pretty "Toodie" Simpson, the bachelor met his match. Ever since her schooldays (at Virginia's fashionable, horsy Foxcroft), according to one of her friends, Toodie "had only one concern-to get married." She wore huge gold earrings in a gypsy style and had frizzy black hair. The effect, said her friend, was rather too exotic for an 18-year-old and somehow she "scared the boys away." Nevertheless, in 1946 Toodie married William Simpson, the son of a Chicago millionaire. Last year they were divorced. Now a sleek, mature 26 who "can afford a suit or two from Schiaparelli...
Director Jules (Naked City) Dassin is a realist with a varnished style that switches from arty to operatic to documentary. His highway scenes give a sense of speeding movement and the ominous effect on the driver of cars hurtling past in a metallic rhythm. Occasionally he turns in a totally authentic shot, e.g., an oatmeal-grey Sunday morning in the produce market, the street forlorn and empty except for some work-worn truckers sitting on crates eating watermelon...