Word: ego
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Dates: during 1980-1989
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...finally, it is not Chaplin's profligacy that awes the viewer of Unknown Chaplin but the relentless perfectionism of his all-encompassing ego and, curiously, a sort of higher frugality. He seems never to have forgotten a good idea, returning to half-formed conceptions years after they occurred to him in order to perfect them. Brownlow and Gill have, for instance, found home movies taken at a Douglas Fairbanks party that show Chaplin dancing with a globe. Something like a decade later, that little improvisation becomes the basis for The Great Dictator's strongest image, that...
...most skillful, Nichols tellingly evokes the Joycean interior monologue in which the tingling shock effect is that of making the holy ritual of the confessional an open secret. In one scene, James is at a one-woman show of Kate's photographs, and his alter ego speaks: "Shall I say it then, in front of all these people? She took my hand and placed it high on her thigh, raising her skirt and slightly opening her legs . . . And all the time we kept talking in loud voices about Cartier-Bresson and was photography an art." Using the same device...
...than the actors apparently got. Bob Gunton is a shade too stilted as James, hoping perhaps that physical constriction could simulate advanced middle age. Frank Langella moves with grand assurance across Broadway's Longacre stage, ranging from impish mischief to laceration of soul. As Eleanor and her alter ego, Damon and Kerr lend their roles compelling honesty, and Roxanne Hart is a five-alarm sexual conflagration...
...young audience, that there is a God and there is both a good side and a bad side. You have a choice between them, but the world works better if you're on the good side. It's just that simple." Luke is his alter ego, and it is no coincidence that he chose Mark Hamill, an actor who is about his own height, to play the last of the Jedi knights, or that he named the character Luke in the first place. Does Lucas really believe in the Force? "George says he doesn't, because...
...ordinarily have a chance to penetrate, and it is exotic to the outlander's eye until the film makes the connections to our ordinary ways of life clear and uncommonly affecting. Take Dorsey, for example. He combines a holy man's zeal, a performer's ego and a revered older man's self-contentment, and the film's portrait of him becomes a little essay on the patriarch as enigma. Or consider Delois Barrett Campbell. Onstage she is a shatteringly forceful singer. Off stage she is married to the minister of a humble church...