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Word: egon (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...toward détente in Europe. His early initiatives eventually led to a four-power agreement on Berlin, the first direct negotiations between the two Germanys, and an improved climate for an international conference on European security. Between now and November, Brandt and Chief West German Negotiator Egon Bahr hope to reach agreement with the German Democratic Republic on a treaty that will define the relationship between the two states and establish formal contacts. If they succeed, it will be a notable advantage...

Author: /time Magazine | Title: WEST GERMANY: Squaring Off for the Battle of the Decade | 10/16/1972 | See Source »

...gung-ho stanzas and dying of a mosquito bite en route to the Dardanelles, a dozen real poets like Isaac Rosenberg and Wilfred Owen were cut down. Georges Braque was shot and lived, but the war deprived the 20th century of the mature work of Franz Marc, August Macke, Egon Schiele, Gustav Klimt, Umberto Boccioni and Raymond Duchamp-Villon, as well as that of a young sculptor named Gaudier-Brzeska who might well have rivaled Brancusi in his contribution to modernism. One of the saddest casualties was a German who never fought, the sculptor Wilhelm Lehmbruck. "Who stayed behind after...

Author: /time Magazine | Title: Art: A Haunted Man | 7/31/1972 | See Source »

...Ballet. There is something basically appealing about a tribute from one artist to another, and the principal role would seem to be tailor-made for the mature genius of Dame Margot, now 52. She plays a turn-of-the-century operatic diva who meets and dazzles a younger man (Egon Madsen) at a cocktail party. Then, in a swirling dream sequence, she recalls the four great loves of her past. Realizing that amour is now beyond her, she sends the youth away and stands alone onstage with her memories as the curtain falls...

Author: /time Magazine | Title: Dance: Passion with a Put-On | 8/2/1971 | See Source »

Dissonant Morass. Not everybody liked it-and with reason. As one expects of Cranko, the ballet had dramatic cohesiveness. Settings, cleverly suggestive of Goya, managed to be both beautiful and forbidding at the same time. In Marcia Haydée (Carmen), Richard Cragun (the Toreador) and Egon Madsen (Don José), Cranko could field a trio whose ability to project feeling into narrative ballet can hardly be matched. What went wrong was the music. Scorning Bizet, Cranko got German Composer Wolfgang Fortner to produce a dreadful, cacophonous "Bizet collage" incapable of sustaining any nuance of emotion. Worse, the score picked...

Author: /time Magazine | Title: Dance: Goyas and Dolls | 5/10/1971 | See Source »

Celebrated Creation. In some ways the men he has assembled are Stuttgart's strongest asset. Richard Cragun, born in Sacramento, Calif., and trained in Canada, Britain and Denmark, has vast reserves of power, grace and masculinity that make him one of the best dramatic male dancers anywhere. Egon Madsen, a youthful Dane with a baby face, skillfully alternates with Cragun in many dramatic roles: when Cragun is Romeo, Madsen is Mercutio and vice versa. Backing them both up in the rotational order is a German dancer, Heinz Clauss, whose black-clad Eugene Onegin seems as subtly menacing...

Author: /time Magazine | Title: Dance: Goyas and Dolls | 5/10/1971 | See Source »

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