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...painters that Austria has produced in the 20th century, only one, Oskar Kokoschka, is widely known in the U.S. This state of unawareness may not last much longer. For ten years a small group of European and U.S. critics has been calling attention to the half-forgotten Austrian expressionist Egon Schiele, who died 42 years ago at the age of 28. The critics' campaign finally inspired the first major U.S. exhibit of Schiele's works. The show has been to Boston and Manhattan, will in time reach Pittsburgh and Minneapolis. Last week it opened...

Author: /time Magazine | Title: Art: A SHORT, TORMENTED SPAN | 1/13/1961 | See Source »

...have enabled her to claim a widow's pension. Investigators also discov ered that while ostensibly living with her father in a Hamburg suburb, she spent a lot of time in a cottage on the edge of the Sachsenwald, the home of a quiet-spoken woodcutter named Karl Egon Neumann...

Author: /time Magazine | Title: West Germany: The Commandant of Auschwitz | 1/2/1961 | See Source »

...Institute of Contemporary Art, which twelve years ago brought Austria's most famous expressionist painter, Oskar Kokoschka, to American museums, is now doing the same for his contemporary, Egon Schiele. Hopefully, this will do as much for Schiele as the previous exhibit did of Kokoschka, for undoubtedly Schiele deserves the international fame he has never received...

Author: By Michael S. Gruen, | Title: The Empty Hours: Egon Schiele | 10/8/1960 | See Source »

...Hampshire named Penny Pitou, 21. Penny was ready, and poised as only a girl can be who had skied against the Europeans on even terms last year. She was quick with a smile for any passing photographer, had acquired a prestigious and hovering boy friend in Austria's Egon Zimmermann (who finished second in the men's downhill). With top-flight Teammate Betsy Snite nursing a knee on the sidelines, Penny warmed up with a respectable tie for fourth in the giant slalom...

Author: /time Magazine | Title: Sport: Trial by Snow | 1/25/1960 | See Source »

Busoni: Fantasia Contrappuntistica (Egon Petri; Westminster, mono). In this stylistic tour de force, Italian Pianist-Composer Ferruccio Busoni (1866-1924) started with a chorale prelude and then, using subjects from an unfinished fugue by Bach, spun out four three-part fugues, one of them built on the name and the four notes B-A-C-H.* Throughout, Busoni gradually modernized his musical vocabulary, ending with a style marked by thick, dissonant clusters of notes. The effect, as presented by Dutch Pianist Petri, is a little like watching a nature film in which plants miraculously blossom and grow before the viewer...

Author: /time Magazine | Title: Music: New Records, Jan. 4, 1960 | 1/4/1960 | See Source »

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