Word: egon
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Most distinctive feature of the Chicago Civic Opera's past season was the increased excellence of its German performances. Reasons: Conductor Egon Pollak, Soprano Frida Leider, Contralto Maria Olszewska, Tenor Theodore Strack, Basso Alexander Kipnis. Last week President Samuel Insull returned from Europe, announced that there would be still greater improvement next year. Wagner's Meistersinger and Smetana's Bartered Bride will be added to the repertoire. Four famed European artists have been engaged?Soprano Lotte Lehmann of the Vienna Staatsoper, Soprano Maria Rajdl (Dresden), Baritones Rudolf Bockelmann (Hamburg) and Eduard Habich (Berlin). A fifth newcomer will be Contralto Sonia...
...Tolstoy and that other great Russian, Dostoievsky, were particularly apt to conceive. As acted by Jacob Ben-Ami and a large company of Eva Le Gallienne's Civic Repertory Theatre (including a witty bit by the directress herself), most of the values of this celebrated tragedy are apparent. Egon Brecher's depiction of Alexandrov, an artistic hobo with delusions of grandeur, is an uproarious triumph if you can overlook its tragic perspectives...
...Repertory's success. The major significance of the theatre is that it proves, like a corollary to the Theatre Guild, that fine dramatic art treated studiously, "artistically," is appreciated in Manhattan.? And though Miss Le Gallienne's chief associates?Jacob Ben-Ami, Josephine Hutchinson, Leona Roberts, Egon Brecher and Paul Leyssac?would merit headlines anywhere, major credit for a serious venture which is one of Manhattan's greatest civic virtues, which has won all but the crustiest critics, must inevitably be Eva Le Gallienne's. At 30 she has become a prominent citizen...
...European conductors will make Chicago debuts-the Russian Emil Cooper, leader of the first Diaghileff ballet, since the Russian Revolution a resident of Paris; and Egon Pollak of the Hamburg Staatsoper...
THIS book by Mr. Ravage in which he recounts the story of the House of Rothschild cannot but evoke immediate comparison with the recent work of Egon Caesar, Count Corti dealing with the same subject. There is evident, indeed, in these two works the difference between two methods of biographical or semi-biographical exposition. Mr. Ravage is essentially the popularizer leaving out of the picture much that goes to make a complete panorama of the times and relations in which his central characters find themselves; Count Corti is essentially the historian, realizing the important part which character and heredity play...