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Word: egos (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Elephantiasis of the ego. The star tenor tends to swagger in company as well as on stage; he is quite sure that women have a yen for him-and so, usually, is his wife. He lords it over his colleagues and is inclined to feel that he need not rehearse with the rest of the cast. Like most singers, he thinks he is better than the impresario does, and demands starring roles too early in his career...

Author: /time Magazine | Title: Music: Much Ado About Tenors | 4/16/1956 | See Source »

...moment the Earth's inverted flying lamp-shade lands on this planet, Altair 4, and its crew have settled themselves ("Wotta place! Just another one of those new planets--no beer, no women, no pool parlor"), Dr. Morbius, a twenty-year resident, begins his fatal battle of the Super Ego versus Id. Although he professes to be a gallant humanitarian at the outset, by the end of the picture we are convinced that he is a person just like ourselves: an intelligent egomaniac who wants only one thing in life--to have his own little planet...

Author: By Bruce M. Reeves, | Title: Forbidden Planet | 4/14/1956 | See Source »

...Renaissance master are, however, classical in their dignity and spirituality. In contrast, Rubens' figures are treated romantically. They are overly real and sensual. Passions are magnified rather than reason or the inner restraint which tighten the faces and figures of Michelangelo. Certain fine oil sketches like *uos Ego reveal the characteristics of the Baroque style which Rubens created almost singlehandedly. Classical clarity is replaced by endless movement, and color is handled in a broad, and, at times, impressionistic, manner. In other canvases the wave of line surges across and into the innermost depths of the pictures. In the complexities...

Author: By Lowell J. Rubin, | Title: Intimate View of Rubens | 2/14/1956 | See Source »

...revival of atrocity. Such conduct is what - in the absence of Shakespearean remorse or classical retribution - psychologically weights the play's later episodes. Tamburlaine is one who, having achieved enormous power, but must almost maniacally assert it: his is no self-preserving ruthlessness or vengeful rancor, but an ego-driven, gratuitous cruelty...

Author: /time Magazine | Title: The Theater: Old Plays in Manhattan, Jan. 30, 1956 | 1/30/1956 | See Source »

...very much upset," he says. "I don't remember whether or not I recited the words well. But I remember referring to everybody, saying, 'Ego vos absolvo.' There was only one Protestant aboard-I think he was a German archaeologist. All he asked was whether the absolution was valid for him. 'Yes,' I answered, 'but everything depends on whether you have faith...

Author: /time Magazine | Title: Religion: The Promise | 11/21/1955 | See Source »

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