Word: egos
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Dates: during 1990-1999
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...into a thespian, JIM CARREY may be taking this Method-acting thing a tad too far. Recently, we reported that on the set of the ANDY KAUFMAN biopic Man on the Moon, Carrey asked for two separate trailers, one to play Kaufman and one to play Kaufman's alter ego, Tony Clifton. Last week, while filming a scene with wrestler Jerry Lawler, a bruiser who once put Kaufman in a neck brace, Carrey spontaneously spit on the wrestler in an unscripted move. Lawler, apparently also deep in character, charged Carrey and put him in a neck lock. The actor suffered...
Indeed, in the current spirit of confession box speeches, she may as well do some confessing and repentance. "I was silly. I wanted to see if I could get the President. Immature, power trip, ego boost. I have sinned and I apologize to the nation, to Mr. President and his family, and to my mother for making her keep my dirty dress." Next in line is Kenny Starr and then all pollsters and pundits, waiting to purge their souls...
...does not star a stand-up comedian. Grammer is an actor playing a part, not a comic who has had a show built around him. As a result, Frasier has a presence as a character that is rare on TV today. He is not just a comic's alter ego, but a creation who seems to have a life...
...succumbs to illness, Kate must take on the final duty of a dutiful life--mediating some kind of truce between her husband George, walled off from reality by his professorial abstractions and his huge but fragile ego (a perfect role for William Hurt, that most self-regarding of actors), and her daughter Ellen, forced to give up an all consuming career to nurse her mother (Renee Zellweger, in a wonderfully clenched performance). This reconciliation Streep encourages in the subtlest of ways. There's no apology for Kate's lifetime of good cheer and common sense, just an opening...
...Deep Midwinter, established him as a sensitive and forgiving spinner of sepia-colored tales that find the tenderness in men. His new book is more of a morality tale dressed as a murder mystery. Mr. White is a painfully shy salesclerk who photographs showgirls in his room; his alter ego, Wesley Horner, is an anguished cop with unsolved mysteries of his own. As dime-a-dance girls start showing up dead in St. Paul, Minn., in 1939, the men's paths intersect, and a story of guilt and innocence turns into a pulsing tale of redemption and original goodness, pitting...