Word: egyptianized
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...HOTEL SEMIRAMIS, ATHENS Springing from the mind of Egyptian-British designer Karim Rashid, Hotel Semiramis (www.semiramisathens.com) has a glowing pink-glass cube for a lobby, home to a rotating collection of hypermodern, provocative art. Much of the work is on loan from owner Dakis Joannou, founder of the DESTE Foundation for Contemporary Art in Athens. Currently, the lobby's centerpiece is the compelling image of artist Vanessa Beecroft's own highly stylized wedding in an Italian chapel, with all the guests dressed in white. It's wittily complemented by Tim Noble and Sue Webster's huge flashing YES sculpture...
...Libi, traditional FBI “rapport-building” interrogations produced favorable results, while CIA coercion provided scant intelligence. In al-Libi’s case, the intelligence he did provide under duress proved tragically false. During the months leading up to the U.S. invasion of Iraq, Egyptian officials, backed by the CIA, pressed al-Libi to link Al Qaeda to Iraq’s Saddam Hussein. When al-Libi insisted that he “knew nothing,” he found himself locked in a tiny cage for over 80 hours and then beaten for 15 minutes...
...plus features achieved any kind of release in the U.S., and his only impact on Hollywood movies was that he made a star of a young Egyptian named Omar Sharif. But at film festivals, Chahine was for decades the prime, often the only, representative of an entire continent, Africa, and a world religion, Islam--though his family was Christian and his heritage Lebanese and Greek. He was both a nationalist and an internationalist, both an art-house auteur and a director of movies that were popular from Morocco to Indonesia...
...made political points--sometimes anti-U.S., often against the Egyptian hierarchy--but his didacticism was typically overwhelmed by his irrepressible urge to entertain, whether with the underclass tragedy Cairo Station (1958) or with a delirious love story like The Other (1999). Influenced by Hollywood comedy, Italian neorealism and Indian musical melodramas, he tossed everything--ideas, people, whole nations and regions--up in the air for the intoxicated viewer to try to catch...
...value, it wouldn't hurt for Americans to see the visions of a cosmopolitan filmmaker from the Arab world, who speaks for himself but reflects the dreams and fears of a people whose popular culture is nearly unknown in the U.S. In the lyrics from that song in An Egyptian Story we hear, in all their naked emotion, the national fervor and questing heart of Youssef Chahine...