Word: ehs
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...keening whistle sounded over the Italian countryside as a small train appeared in the middle distance. At the fairground platform, Oliver J. Swindleton fiddled with his stolen cravat and practiced his Italian accent.“Eh...veridamente molto bene. A-pleased-ah to meet you signora! Mozzarella...vino...andante!”Squeaking slightly, the miniature engine pulled into the station. The coupling rod of the middle wheel slowly and rhythmically turned and straightened. Ollie immediately recognized Felicity’s elegant head as she sat in one of the little passenger cars. He glanced at her again?...
What a shame that under your photograph of "green Londoner" Cameron commuting on his bike you forgot to tell us that a limousine follows him to carry papers he "cannot put in his pannier." Some "green Londoner," eh? Dennis O'Grady, SHEFFIELD, ENGLAND...
...Time - he had all the anonymity he needed, at least relative to front-line reviewers on the newspapers and newsweeklies. Manny's pieces had no impact on a film's box office take; I don't recall ever seeing his name on a movie ad or a DVD box. Eh, so what? His reviews gave the impression that, although it'd be nice to be heeded, he didn't care if he was liked. This wasn't the case with Manny; but he certainly wouldn't play the game of critical ingratiation. Writing sentences suitable for blurbing, charming readers with...
...been residing in the auteur empyrean for the past couple of decades. There was a four-film stretch of genuine stinkers - Small Time Crooks, The Curse of the Jade Scorpion, Hollywood Ending and Anything Else - followed by one, Melinda and Melinda, that rose to the level of eh. And since this quintessential New Yorker exiled himself to Europe (where his fondest admirers live, and where the money for his pictures now comes from), he'd made a suave sex-and-murder mystery, Match Point, and two that deserve to have the veil of anonymity drawn over them...
...story, the TV show and the novels are all monologues, thus suitable for reading. And all take place in what the woman's voice in Eh Joe describes as "that penny farthing hell you call your mind." Some of Beckett's characters may never understand the harm they've caused or allowed, until "the agenbite of inwit" - a medieval phrase, often used by Beckett's mentor, James Joyce, to refer to the remorse of conscience - forces them into self-knowledge, into an act of contrition. In Eh Joe Neeson's face hardly moves a muscle; the play's director says...