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...official charge--creation of "anti-Soviet propaganda and agitation"--is so vague that it could be used to suppress practically all forms of creative effort. Exposed as the authors of particularly controversial stories, Alex ei Sinyavsky and Yuli Daniel were arrested last September but were brought to trial only last week. Their writings, published outside Russia under the psuedonyms Tertz and Arzhak, were fantastic portrayals of Soviet society. Sinyavsky depicted the horrors of the Stalinist trials and the inner workings of Stalin's regime in one of his short stories, "The Trial Begins." Daniel's tale "Moscow Speaks" envisioned...

Author: NO WRITER ATTRIBUTED | Title: Soviet Suppression | 2/19/1966 | See Source »

...Western nation she would be a political force to be reckoned with. In an Oriental country burdened with cen turies of ignorance and bloodshed, she is probably more feared than any other man or woman ? and fear under such conditions can mean power beyond ei ther respect or popularity...

Author: /time Magazine | Title: South Viet Nam: The Queen Bee | 8/9/1963 | See Source »

...lavishly photographed, is only as good as a not-so-hot Tchaikovsky opera can be; at the Exeter (KE 6-7067), Robert Dhery plums not very tantalizing depths in a movie which is as good as a movie about a car can be; at the Astor (LI 2-5030), EI Cidstars(unbeknownst to itself: it has pretensions to being as good as a movie about EI Cid could be) magnificent Spanish scenery; at the Orpheum (LI 2-3491), Sergeants 3 is as good as routine tastelessness and flatness always is (good like soma), despite the most violent exertions...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON ENTERTAINMENT GUIDE | 3/2/1962 | See Source »

...Abiit ad amicum suum Ursum Pum visendum, quia ille ei ex animo amicus...

Author: /time Magazine | Title: Books: PU VISITATUM IT | 12/26/1960 | See Source »

What made Lorca change from his popular combinations of the old romantic meter (the lines and construction in his Romancero Gitano are very like EI Cid) with inflamed Gongorisms from the seventeenth century and scenes from contemporary Andalusian life was not the influence of Dali's artistic personality, nor the surrealist attempts of his not-so-friendly literary rival Rafael Alberti. We must recognize now with the settling effects of two decades since Lorca's death, that he took on this radically different form only as a means to express his similarly different subject matter. It should be apparent that...

Author: By David M. Farquhar, | Title: Garcia Lorca's Reaction to the City Produces a Novel Line of Development | 5/17/1957 | See Source »

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