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...common knowledge that Pound's attempts to collaborate with the Fascists on the Ente Italiano Audizione Radiofoniche (EIAR), the statecontrolled radio-broadcasting agency, were at first rejected. The Fascisti thought he might be sending a code even after he began broadcasting. Heymann has turned up evidence that some even thought Pound was mad: "There is no doubt in my mind that Ezra Pound is insane!" wrote the manager of the National Institute of Cultural Relations with Foreign Countries. Heymann shows that even as early as 1935 II Duce's office had criticized a plan devised by Pound as "eccentric...

Author: By Gregory F. Lawless, | Title: Pound: The Poet and the Fascist | 6/14/1976 | See Source »

Puccini: Turandot (Gina Cigna, soprano; Armando Giannotti, tenor; Luciano Neroni, basso; Francesco Merli, tenor; Magda Olivero, soprano; Afro Poli, baritone; EIAR Symphony Orchestra and chorus, Franco Ghione conducting; Cetra-Soria, 6 sides LP). Puccini's last, but not best opera gets as good a performance as possible. Recording: good...

Author: /time Magazine | Title: Music: New Records, Apr. 24, 1950 | 4/24/1950 | See Source »

Verdi: La Forza del Destine (Maria Caniglia, soprano; Ebe Stignani, mezzo-soprano; Galliano Masini, tenor; Tancredi Pasero, bass; Carlo Tagliabue, baritone, and others with the EIAR Symphony Orchestra and chorus, Gino Marinuzzi conducting; Cetra-Soria, 36 sides). Some of the singers made Verdi's less worthy opera sound far better than the Aïda. Recording: good...

Author: /time Magazine | Title: Music: New Records, Mar. 28, 1949 | 3/28/1949 | See Source »

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