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...regular program concluded with a gorgeous performance of Schumann's Op. 39 Liederkreis, a cycle from 1840, the legendary "year of song." Working with texts by the poet and novelist Joseph Eichendorff, Schumann dashed off these twelve songs in a few weeks in May--have you finished your term papers? The duo's singing and playing shared a similar exuberance. Upshaw's fierce glares and terror-filled voice in "Waldgespruch" (Wood Dialogue) were playfully evocative of the Schubert Erlkoening, while Goode evoked the Liszt "Wild Jagd" transcendental etude when a line of Eichendorff's mentioned "ein lustiges Jagd," a merry...

Author: By Matthew A. Carter, | Title: A Spring Night's Dream of a Concert | 5/16/1997 | See Source »

Thus one of the few antitheses which as any applicability to Mahler is his disciplined, complex response to diversity while believing in an irreducible, if ultimately unvoiceable permanency in life. The milieu of is world may be suggested by the names Eichendorff, Haupmann, Strauss, Kant, Sclegel, Mozart, the Mass, and Goethe: a weird assemblage which yielded a mind disposed to mystical and ironical visions, but always wit a resilient core of innocent he is accused of innocent simplicity. And this is almost certainly the reason e is accused of parody. As Tovey wrote...

Author: By Chris Rochester, | Title: Gustav Mahler | 8/19/1969 | See Source »

...Heidelberg reigned supreme throughout Germany. In philosophy, it boasted Hegel and later Karl Jaspers. In literature, it was a vibrant center of Germany's early 19th century Romantics (Brentano, Eichendorff, Holderlin). In natural sciences, it abounded with men like Bunsen and Kirchhoff, who in 1860 demonstrated spectrum analysis, and Helmholtz, one of the founders of the law of the conservation of energy. In medicine, it was a world-famed mecca, and over the years its professors won seven Nobel Prizes...

Author: /time Magazine | Title: Education: The New Old Heidelberg | 6/9/1961 | See Source »

...courtyard was packed with German tourists, mostly guests of the Nazi Kraft durch Freude (Strength Through Joy) organization, and Reich Minister of Propaganda Dr. Paul Joseph Goebbels was conspicuously present in the front row. Before the festival ends next week they will see three native German dramas: Josef von Eichendorff's Die Freier, Friedrich von Schiller's Die Räuber, Gerhart Hauptmann's Florian Geyer. But Shakespeare is the main dish. A Midsummer Night's Dream opened the festival, was scheduled for 21 performances...

Author: /time Magazine | Title: Theatre: Stratford-on-Rhine | 8/14/1939 | See Source »

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